FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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アンジェントルメン
アンジェントルメン

アンジェントルメン

20242h 0m★ 7.0アクションコメディ戦争
Hulu

あらすじ

第2次世界大戦下の欧州。ナチスに追い込まれた英国の希望は米国の参戦だったが、北大西洋の独潜水艦Uボート部隊がそれを阻んでいた。チャーチル首相の下、極秘裏に結成された特殊作戦執行部SOEに招集されたガス少佐は、“M”ことガビンズ准将とその部下フレミングからUボートの無力化を命じられる。“イカれた”メンバーを集め、漁師を装ってUボートへの補給を断つ決死の作戦に挑むガスだが……。

作品考察・見どころ

ガイ・リッチー監督らしいスタイリッシュな映像美と、規格外の荒くれ者たちが「卑怯」を武器に戦う爽快なアクションが本作の真骨頂です。ヘンリー・カヴィルの圧倒的カリスマ性とエイザ・ゴンザレスの艶やかな存在感が、野蛮さと優雅さが共存する唯一無二の世界観を見事に構築。品格を捨ててまで正義を貫くという逆説的な美学が、全編を通じて鮮烈に響き渡ります。 見どころは、型破りな精鋭たちが魅せる完璧な連携と、そこから生まれる予測不能なユーモアです。洗練されたスパイ映画の枠組みを豪快に破壊し、映像特有の熱量とスピード感で観客を圧倒します。秩序に縛られない自由な精神こそが、現代に求められる「強さ」の本質であることを情熱的に訴えかけてくる、極上のエンターテインメント作品です。

興行成績

製作費: $60,000,000 (90億円)

興行収入: $29,768,915 (45億円)

推定収支: $-30,231,085 (-45億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ヘンリー・カヴィル
ヘンリー・カヴィル
Maj. Gus March-Phillips
エイザ・ゴンザレス
エイザ・ゴンザレス
Marjorie Stewart
アラン・リッチソン
アラン・リッチソン
Anders Lassen - 'The Danish Hammer'
Henry Golding
Henry Golding
Freddy 'The Buzz' Alvarez
Cary Elwes
Cary Elwes
Brigadier Gubbins - 'M'
Alex Pettyfer
Alex Pettyfer
Capt. Geoffrey Appleyard
ヒーロー・ファインズ・ティフィン
ヒーロー・ファインズ・ティフィン
Henry Hayes
バブス・オルサンモクン
バブス・オルサンモクン
Richard Heron
ティル・シュヴァイガー
ティル・シュヴァイガー
Heinrich Luhr
Freddie Fox
Freddie Fox
Lt. Cmdr. Ian Fleming

スタッフ・制作会社

監督: ガイ・リッチー

脚本: Damien Lewis / Paul Tamasy / Eric Johnson

音楽: Chris Benstead

制作: John Friedberg / Ольга Филипук / Eric Johnson

撮影監督: エド・ワイルド

制作会社: Jerry Bruckheimer Films / Black Bear Pictures / Toff Guy Films

TMDB ユーザーのレビュー

MovieGuys
MovieGuys
★ 1

A woke dumpster fire, that turns the memory of brave men, like my uncle who fought and in many cases died, as he did, during WWII, into ugly caricatures. Backed up by a moronic back story and villains who are little more than clay pigeon's, that is,bullet magnets. I wont say more, this thing simply doesn't deserve it.

TheSceneSnobs
TheSceneSnobs
★ 6

I was pleasantly surprised by The Ministry of Ungentlemanly Warfare. Guy Ritchie crafts an intriguing story about Winston Churchill’s team of highly skilled misfit soldiers recruited for the dirtiest missions against the Germans. This film combines historical drama with Ritchie's signature style, resulting in an engaging and action-packed experience. Henry Cavill stands out as the deranged leader of this unorthodox team, delivering a performance that balances madness with a fierce sense of duty. His character's unpredictable nature keeps the audience on edge. Cavill stands out as the deranged leader of this unorthodox team, delivering a performance that balances madness with a fierce sense of duty. His character's unpredictable nature keeps the audience on edge. Simultaneously, the subplot involving two Allied spies embedded within the German ranks adds an exciting layer of espionage. Babs Olusanmokun and Eiza González deliver fantastic performances, navigating the perilous environment with a blend of cunning and bravery. However, not all elements of the film work seamlessly. The scenes featuring Winston Churchill are notably weaker, often disrupting the narrative flow and diminishing the film’s intensity. These moments feel out of place, detracting from the otherwise tight and focused storytelling. On the technical front, the film excels with masterful cinematography and outstanding sound design. The visual style captures the gritty and chaotic nature of war while maintaining clarity during intense action sequences. The sound design immerses the audience in the film’s world, from the clamor of battle to the subtle tension of stealth operations. The Ministry of Ungentlemanly Warfare is a compelling addition to the war film genre, distinguished by its strong performances, engaging dual storylines, and technical prowess. While some scenes fall short, particularly those involving Winston Churchill, the film’s overall impact remains powerful. Guy Ritchie’s unique touch brings a fresh perspective to a historical narrative, making this film a must-watch for fans of action, history, and espionage.

Tourma
Tourma
★ 9

**"There's a lot of things you can do with a Nazi, and An Axe"** *~William "B.J." Blazkowicz (Wolfenstein II: The New Colossus)* I said that in reference to one scene in this movie, won't say which though. ~ .^ Guy Richie continues to expand his "Brits in violent situations that go sideways" genre to WW II. His fast dialog is not quite as verbose as in his older work, but it's still excellent. I like all of his movies, but this is up there on his more recent fare. Alan Ritchson playing a kinda dweeby, murderous Scandinavian is a highlight. In the vein of, if far more grounded than, Tarantino's Inglourious Basterds. A good vibe to go into 2025.

Wuchak
Wuchak
★ 6

**_Snazzy WW2 flick about a brazen raid off the coast of West Africa_** Churchill refuses to surrender to Germany and so backs the Special Operations Executive (SOE), which was the precursor to what is today known as black ops. The unorthodox team carry out Operation Postmaster in early 1942, a daring attack on an island near Cameroon to disrupt the Nazis' U-boat resupply operation. Helmed by Guy Ritchie, "The Ministry of Ungentlemanly Warfare" (2024) is similar in plot to 1968’s “Attack on the Iron Coast,” which covered the St Nazaire Raid on the shore of German-occupied France, a raid that happened to take place 2.5 months after Operation Postmaster. Interestingly, the SOE were considered for heading that raid (in the aftermath of the great success of Operation Postmaster), but the mission was determined to be beyond the capabilities of the small-scale group. While the plot is reminiscent of “Attack on the Iron Coast,” the ‘hip,’ smirky style is along the lines of Tarantino’s “Inglourious Basterds,” mixed with bits of “The Dirty Dozen” and “Where Eagles Dare.” If you favor those movies, you’ll probably like this one, but it’s the least of ’em IMHO with the exception of the low-budget “Attack on the Iron Coast,” which was shot in B&W. Don’t get me wrong, this is a top-of-the-line production with a quality cast, including the likes of Henry Cavill, Alan Ritchson, Eiza González and Babs Olusanmokun. It just needed a little more human interest to draw me into the characters and care about the manic events. The dynamic score brings to mind Spaghetti Westerns and includes a piece that rips off “Immigrant Song.” It runs 2 hours, 2 minutes, and was shot at Old Royal Naval College in Greenwich, London, and Antalya on the southwest coast of Turkey. GRADE: B-

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