FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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Playground/校庭
Playground/校庭

Playground/校庭

20211h 12m★ 7.1ドラマ

あらすじ

No synopsis available.

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作品考察・見どころ

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興行成績

製作費: $1,183,025 (2億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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配信サービス

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キャスト

Maya Vanderbeque
Maya Vanderbeque
Nora
Günter Duret
Günter Duret
Abel
No Image
Elsa Laforge
Victoire
Lena Girard Voss
Lena Girard Voss
Clémence
Simon Caudry
Simon Caudry
Antione
No Image
Thao Maerten
David
No Image
James Seguy
Malik
No Image
Naël Ammama
Ismaël
No Image
Emile Salamone
Matteo
Laura Verlinden
Laura Verlinden
Agnes

スタッフ・制作会社

監督: Laura Wandel

脚本: Laura Wandel

制作: Stéphane Lhoest

撮影監督: Frédéric Noirhomme

制作会社: Dragons Films / Lunanime / VOO / BeTV

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

This is one of those films that has you shouting at the screen! “Nora” (Maya Vanderbeque) intervenes when her older brother “Abel” (Günter Duret) is routinely getting his hair washed in a toilet bowl, but the results of her actions merely serve to alienate her from her brother whilst having fairly profound effects on both their behaviour at school and to each other, of of that of their friends to them. It’s a cycle of toxicity that really proves the rule about no good deed going unpunished. Parents get involved, teachers get involved - but is anything going to actually get any better? Both of the leading kids deliver potently here and she, especially, exudes an emotionally charged characterisation of a girl determined to stick up for her elder sibling regardless of the impact that may have on both of them. On a broader note, it shines a bright light on the noxious nature of bullying and, in this case, of the ineffectiveness of the system when trying to address these problems in people quite possibly too young to fully appreciate the ramifications and/or causes of their actions. Personally, I always think that if someone has to make you say sorry then it’s completely meaningless and the school ought simply to call the police, but that’s just one of the reactions this film might evoke from those with or without (me) children. The dialogue is really quite natural, as if they were ad-libbing and in some ways it reminded me of “Close” (2022). It’s quite an exasperating film and maybe don’t watch with anything handy you could throw at the screen.

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