FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
© 2026 Bennu Inc.TMDB Logo

本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

Red Yellow Pink
Red Yellow Pink

Red Yellow Pink

20201h 29m★ 3.2ドラマ

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Jolanta Warpechowski

脚本: Jolanta Warpechowski

制作: Jolanta Warpechowski

口コミ

あなたの評価を記録する

キャスト

No Image
David Paul
Maciej
No Image
Agnieszka Salamon
Mother
No Image
Wojciech Galzinski
Father
No Image
Adrian Koszewski
Dawid
Beata Śliwińska
Beata Śliwińska
Gosia
No Image
Anna Dzierża
Anna
No Image
Kuba Gras
Hobo
Jakub Kwaśniewicz
Jakub Kwaśniewicz
Doctor
No Image
Lucas Van Der Smug
Andrzej

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 5

Ok, so this can’t have had much of a budget but surely auteur Jolanta Warpechowski could have relied less on some simplistic stereotypes and maybe taken a few risks with the characterisations? This follows the story of “Maciej” (David Paul) whose fairly devout Catholic mum (Agnieszka Salamon) crosses herself at every opportunity whilst his Jewish dad (Wojciech Galzinski) takes an altogether more pragmatic view of life. That’s probably just as well because their teenage son has a secret! His moving in with “Dawid” (Adrian Koszewski) is just the start of their problems though, as it turns out that his previous boyfriend has been an early victim of AIDS and it looks like this family might have to face something similar on their own more personal and conflicted horizons soon. The question is, can they forgive and reunite in spite of their fairly fundamental and visceral differences? There are a few scenes between the boys that are quite touching, and the lively effort from Galzinski breathes the odd bit of life into this, but it’s attempts to spotlight the religious, hypocritical and attitudinal differences amongst the family are disappointingly shallow and the positively pedestrian dialogue is seemingly content not to really try to develop the characters beyond the visually pretty but otherwise emotionally undercooked. Simply, it runs out of steam and ends because it has to, not because there is any originality or clarity of message to the piece. What red, yellow and pink have to do with anything isn’t clear, although that maybe resonate more in Polish, and the film is easy enough to let wash over you - but that’s about the height of it.

おすすめの作品