かつてこの地で魔女狩りが行なわれたという言い伝えのある町、ブライス・ホロー。この町に住む少年ノーマンは、死者たちと話せる特殊能力を持っていたが、そのせいで周囲からは変人扱いされ、家でも学校でもたえず居心地の悪い想いを味わっていた。そんなある日ノーマンは、ブレンダーガストおじさんから奇妙な話を聞かされる。それは、300年前に封印された魔女の魂が悪霊を呼び、町を滅ぼそうとしているというものだった。
AIが作品の魅力を深く読み解いています
製作費: $60,000,000 (90億円)
興行収入: $107,307,220 (161億円)
推定収支: $47,307,220 (71億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
脚本: クリス・バトラー / Graham Annable / Martin Asbury
音楽: Jon Brion
制作: トラヴィス・ナイト / アリアン・サットナー
撮影監督: Tristan Oliver
制作会社: LAIKA
Mom, tell the Zombie to stop saying stuff about me! The medium of animated films has really gone through the roof in the last 20 years. There was a time when Disney was the only reliable source for such colourful frolics. Now we are blessed with a whole raft of film makers creating their own animated films born out by their personal visions. One of the benefits of this "branching out" has been the rise in the animated horror comedy, right up there with the best of them in recent times is ParaNorman. Norman Babcock is considered to be the weird kid in town, you see he claims to see ghosts. Little do the residents of this New England haven know it, but they will soon need Norman to break a centuries old witches curse or they are all doomed! Picture unfolds in a delightfully quirky nature, with the makers showing great love and respect to both the genres it appertains to. As with the best animated films, ParaNorman manages to be an all encompassing family friendly production. The chilly thrills are the right side of child friendly, the animation craft superb, while the humour is smart and the Gothic atmosphere surrounding the tale is pitch perfect. It all builds nicely to a bona fide thrilling finale, where the visual spectacle sits comfortably with the emotional beats of the film. Lovely, intelligent and spooky into the bargain. 8/10
Really good watch, could watch again, and can recommend. This is surprisingly dark, and underrated. While the animated characters are almost grosteque in their stylization, it serves fairly well when it comes to the undead. It also pushes the boundaries of it being a "kid's" movie or an "adult's" movie in it's content. So this is probably a movie for "older younger" audiences. Not only is this a great concept, effect execution, and story, the characters that do pop, really do. I honestly could have done without a few of them, but most of the important characters work for what they need to do. There is a much appreciated "twist" that examples some self-aware story telling that comes with the tropes typically involved with "I see dead people" stories. Its really rather refreshing without removing the idea that burning witches at the stake was an atrocity in history. The story is touching and charming and just requires an open mind, which is part of the message of the story.
His parents think he's a bit bonkers, but "Norman" swears that he can communicate with his deceased grandmother (especially when she wants the central heating turned up!). When his uncle tells him that his unique skills might help with a ritual that could spare their sleepy town from a curse, he agrees to help - but oops! Next thing, the place is awash with zombies and it falls to "Norman" to figure out just what originally caused the curse and to find a way - together with his popular sister and his new found, and rather unlikely, friends - to annul it before it is too late! This is a fun family adventure with some strong characterisations (including the really enthusiastic voice talent of Kodi Smit-McPhee in the title role) and some superbly detailed stop motion animation. The writing is frequently quite pithy with plenty for the grown ups to smile at, and think about, as the story progresses. Though hardly original - the story itself has everything from "Salem's Lot" (1979) to "Hocus Pocus" (1993) running through it - it's still an enjoyable watch that lends itself well to a big screen to better appreciate the colourful vivacity of the creative artistry and lively Jon Brian score. Sure, their heads are bigger than the rest of their bodes combined, but the facial expressions are what makes this and I rather liked this film.
