FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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★ 0.0ドキュメンタリー

あらすじ

No synopsis available.

作品考察・見どころ

新藤兼人監督が、被爆地の惨状と再生への祈りを静謐かつ凄烈に描いた不朽の名作です。瀬戸内の穏やかな風景と瓦礫のコントラストが、言葉を絶する悲劇を雄弁に物語ります。乙羽信子の慈愛に満ちた眼差しは、観る者の魂を強く揺さぶり、静かな怒りと希望を胸に深く刻み込みます。 被爆から数年という生々しい時間軸で撮影された実在感が、本作最大の魅力です。廃墟の中で懸命に生きる人々の姿は、映像でしか到達し得ない「沈黙の叫び」へと昇華されています。凄惨な過去を未来への灯火に変える映像の力を、ぜひその眼で、肌で感じてください。

スタッフ・制作会社

監督: William Miles

脚本: Clayton Riley

撮影監督: Richard Adams

制作会社: Thirteen

口コミ

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キャスト

Adolph Caesar
Adolph Caesar
narrator
James Baldwin
James Baldwin
self
Edna Mae Harris
Edna Mae Harris
self
No Image
Vivian Harris
self
No Image
James Hicks
self
No Image
Yosef Ben-Jochannan
self

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

It's been six years since teacher "Takako Ishiwaka" (Nobuko Otowa) lost her parents in the Hiroshima blast and she is now planning on returning to the city to visit friends and to remember her family. On arrival, she stays with "Natsue Morikawa" (Miwa Saitô) who has been rendered infertile by the toxic after-effects of the explosion. This is where this emotionally heart-rending story starts. She explores what's left of the city only to discover that in many areas, a remarkable regeneration has occurred. In others, though, people are living an hand-to-mouth existence and that includes her father's former colleague "Iwakichi" (Osamu Takizawa) who is all but blind and living amongst the ruins whilst his grandchild lives in a nearby orphanage. She is informed that a few of her own fellow school pupils have also survived and so visits them - providing director Kaneto Shindô with an opportunity to present us with three different examples of post-war life and of the resignation, stoicism and maybe even slight optimism of those starting to rebuild - whilst they all turn nervously to the sky when they hear an aircraft overhead. Accompanied by some flashbacks to happier times, this tells a touching story of people whose lives, and in many cases beliefs, have been utterly destroyed. Their infrastructure is gone - physically and psychologically, yet she epitomises a decency and the imagery cannot help but engender a sense of pity from anyone watching. No, it doesn't put this into any form of context with the abhorrent behaviour of the troops who fought in their name elsewhere, so no real attempt is made to politicise the situation. It's more a series of personal tales that do quite succinctly bring home the true horrors of the original weapon of mass destruction and of human resilience.

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