FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

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ダムゼル/運命を拓きし者
ダムゼル/運命を拓きし者

ダムゼル/運命を拓きし者

20241h 50m★ 7.0ファンタジーアクションアドベンチャー

あらすじ

若い女性は魅力あふれる王子と結婚して幸せになるはずが、火を吐くドラゴンのいけにえにされてしまう。この絶望的な状況から逃れるべく、彼女は命懸けで大きな試練に立ち向かう。

作品考察・見どころ

本作の最大の魅力は、古典的な「囚われの姫君」という装置を、血と泥にまみれた過酷な生存競争へと転換させた大胆な再構築にあります。ミリー・ボビー・ブラウンが見せる、絶望の淵から這い上がる不屈の生命力は圧巻です。彼女の鬼気迫る熱演は、単なるファンタジーの枠を超え、自らの手で運命を勝ち取る女性の覚醒を鮮烈に描き出しています。 王宮の虚飾と洞窟の闇を対比させた映像演出も秀逸で、そこには伝統や支配に抗う「個の自立」という普遍的なメッセージが込められています。誰かに救われる物語を否定し、自らが救い主となる意志の強さが、観る者の魂を激しく揺さぶる一作です。美しくも残酷な試練の先に待つ、圧倒的なカタルシスをぜひ体感してください。

興行成績

製作費: $60,000,000 (90億円)

興行収入: $5,000 (0億円)

推定収支: $-59,995,000 (-90億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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Netflix
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予告・トレイラー

配信サービス

サブスクリプション

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キャスト

ミリー・ボビー・ブラウン
ミリー・ボビー・ブラウン
Elodie
Brooke Carter
Brooke Carter
Floria
ニック・ロビンソン
ニック・ロビンソン
Prince Henry
ロビン・ライト
ロビン・ライト
Queen Isabelle
Milo Twomey
Milo Twomey
King Roderick
レイ・ウィンストン
レイ・ウィンストン
Lord Bayford
アンジェラ・バセット
アンジェラ・バセット
Lady Bayford
Nicole Joseph
Nicole Joseph
Princess Victoria
Patrice Naiambana
Patrice Naiambana
Chamberlain
Ulli Ackermann
Ulli Ackermann
Knight

スタッフ・制作会社

監督: Juan Carlos Fresnadillo

脚本: Dan Mazeau

音楽: David Fleming

制作: Chris Castaldi / Dan Mazeau / Sue Baden-Powell

撮影監督: Larry Fong

制作会社: PCMA Productions / Roth-Kirschenbaum Films / Palma Pictures

TMDB ユーザーのレビュー

thorian93
thorian93
★ 6.5

Today I enjoyed: Damsel. Damsel is a Netflix Original, that was released just a few days ago. Starring a strong cast with Millie Bobby Brown, Robin Wright, Angela Bassett and the voice of Shohreh Aghdashloo it follows the odyssey of Elodie. I am not going to spoil the plot for you, but I bet you can foresee most developments, dear reader. Overall I have mixed feelings. The story is nothing new, most elements are well known for this kind of movie. Some decisions of characters (including the dragon) feel dumb, and sometimes our main character gets very lucky, so the rest of the plot can happen. The CGI ranges from poor to pretty good, poor more in the begging, with huge landscapes and castles, but later, when the dragon makes an appearance, it looks pretty decent. But I was watching on a rather small screen and Netflix is punishing me with mediocre quality for some time now. So take my visual rating with a grain of salt. Now one thing I will say about the dragon: It has an interesting spin to it. For one thing, half of the time, we do not really see it and only hear Shohreh Aghdashloo's deep, rasping voice, bringing it to life. And when we actually see the dragon, it has a slight horror touch if you will. It looks like a hybrid between your average majestic and broadly loved dragon and something more dark and slimy. A muskrat comes to mind. I liked that (sort of). One remark towards the title: While it is obviously a play the well known 'Damsel in distress' and obviously Elodie fights instead of needing to be rescued, she screams a lot and actually seems in distress half of the film. Until she suddenly becomes the hero and single-handedly fights the dragon. It is a bit much and hard to believe. This is in all honesty an average movie. It is neither terrible nor great. If you are in the mood for some imagery, gold and jewels, dragons, princesses, and a few swords, then go for it. There are worse ways to spend roughly 109 minutes. But there are also better ways. _Originally posted on my blog: https://robingierse.de/blog/tie-damsel._

Sejian
Sejian
★ 6

Damsel suffers from the same issues that plague movies of this kind, and no, I'm not talking about the "woke agenda" or "muh diversity". I'm talking about bad writing. Too much reverse "show, don't tell" and too many contrived scenes and one-liners. The CGI is good, the costumes and set designs are good, the overall plot is good, but the writing falters often. I get that this is a PG-13 movie but teenage viewers aren't this dumb. Give them better writing. Maybe if we treat the younger generation like they have some intelligence, they'll start acting like it. The end result is a movie that wastes its star power and the effort of all involved. VAGUE SPOILERS AHEAD: 1. I get they were trying to do foreshadowing with the opening scene, but it ruined the "reveal". The birds were a nice thrilling scene that fell flat by us already being shown the antagonist. 2. The "V" hallucination was just too silly. Elodie should have found the _evidance_ and had her own organic "Tis a lie!" reaction. 3. It would have been nice to see Elodie wield a sword at some point before they left their kingdom, even if it was just her toting one in her introduction scene "for wolves" or some excuse. Take some hints from Brave (2012)'s Merida in the future for crying out loud. 4. Sister's reaction to stepmother's concern felt forced. 5. Stepmother's cut should have been a stab and she should have been in worse shape when she found Elodie. That scene also needed some work to make it less unbelievable. Like perhaps have Elodie make it back to the ship and find stepmother badly injured. Time skips are a thing that happens, y'know? 6. Father's reasons could have been better written. Easily they could've had palace guards shadow him to imply he'd been threatened and then redone his rescue attempt. Why? Because he is never shown to be callous to the needs or feelings of his daughters. Their family being threatened would've made more sense than "well I thought the sacrifice was worth it for the good of 'OUR' people". Why they had him say "my" is anyone's guess. 7. Less stoic one-liners and less stoic "No! <*thrusts sword into ground*>" moments. We've seen it numerous times and it's just utterly boring and contrived at this point.

Manuel São Bento
Manuel São Bento
★ 6

FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/damsel-review-a-generic-yet-immersive-fantasy-flick/ "Damsel attempts to deliver a tale of empowerment and adventure within the rich fantasy genre but finds itself entangled in the ropes of predictability and missed opportunities for deeper narrative innovation. Despite its shortcomings, the film shines through its technical prowess, from visually stunning effects to immersive world-building, and is anchored by Millie Bobby Brown’s compelling lead performance. While it may not redefine its genre or leave an indelible mark on the history of cinema, it’s a pleasant home viewing with moments of genuine charm and resilience." Rating: B-

EarthAndGravity
EarthAndGravity
★ 8

I totally DISAGREE with the first review by thorian93. Yes, it is a simple storyline. Typical if you must say but it is a story that is NOT complicated and hard to understand. The story is not tangled that you need to connect the dots from past, future and the now kind of movie. It's simple but super. CGI is amazing especially the dragon. Eat your heart out thorian93! This is by far the best movie that I've watched this month of March.

nicoleamaree
nicoleamaree
★ 4

**Movie Review: Damsel (2024)** **Plot Overview:** "Damsel" is a fantasy film that subverts the classic 'damsel in distress' trope. Set in a medieval world, it follows Elodie, played by Millie Bobby Brown, who is tricked into a marriage with a prince only to find out she's to be sacrificed to a dragon as part of a centuries-old pact. The film takes a turn from fairy tale to survival as Elodie uses her wit and resources to escape her fate. **Themes:** The film explores themes of self-reliance, empowerment, and the subversion of traditional gender roles. It challenges the narrative of the passive female character, presenting a heroine who is capable and resourceful. **Character Development:** Elodie's character arc is central to the film's impact. She evolves from a young woman resigned to her fate to a fierce survivor, fighting not just for herself but for the future of her people. The supporting characters, including the prince and the queen, add depth to the story, each revealing their own motives and complexities. **Director's Style:** Juan Carlos Fresnadillo directs with a clear vision, blending action with fantasy elements. His use of contrasting settings – from the snowy village to the opulent royal court – adds to the film's visual appeal. **Performances:** Millie Bobby Brown delivers a strong performance, capturing Elodie's transformation convincingly. The supporting cast, including Ray Winstone and Robin Wright, provide solid performances, though Angela Bassett's talent is noted as underused. **Technical Aspects:** The film boasts impressive production design and costumes, creating a visually stunning medieval world. However, some reviews criticize the CGI as cheap-looking and the action sequences as repetitive. **Strengths and Weaknesses:** Strengths include the film's strong lead performance, innovative plot, and beautiful set pieces. Weaknesses lie in the script and some performances that fail to engage, along with technical aspects that could have been executed better. **Recommendation:** "Damsel" is a film that offers a fresh take on the fantasy genre. While it has its flaws, the film's strengths make it worth watching for those interested in a modern twist on classic fairy tales. In conclusion, "Damsel" is a bold attempt to redefine a genre steeped in tradition. It's a film that will resonate with audiences looking for strong female leads and a story that champions individual agency over destiny. Despite its shortcomings, "Damsel" is a commendable addition to the fantasy genre and is recommended for its unique perspective and engaging storyline.

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