あらすじ
「恋は、少女を強くする。」 駆け出しアイドルユニット・ マジカルツインで日夜、 芸能活動に励んでいる卯野さき。 彼女の憧れはユニットメンバー桜世の兄で、 トップアイドルユニット・ STAR☆PRINCEの御翔 桃拾。 彼の為なら何だって出来る。 そんな想いがまさかの奇跡を起こしてしまった！ “大切な人を守りたい”という願いによって、 魔法少女へと変身したさき。 だが、その姿は予想もしないものだった……
作品考察・見どころ
AIが作品の魅力を深く読み解いています
「恋は、少女を強くする。」 駆け出しアイドルユニット・ マジカルツインで日夜、 芸能活動に励んでいる卯野さき。 彼女の憧れはユニットメンバー桜世の兄で、 トップアイドルユニット・ STAR☆PRINCEの御翔 桃拾。 彼の為なら何だって出来る。 そんな想いがまさかの奇跡を起こしてしまった！ “大切な人を守りたい”という願いによって、 魔法少女へと変身したさき。 だが、その姿は予想もしないものだった……
AIが作品の魅力を深く読み解いています
音楽: 中塚武
撮影監督: 村野よもぎ子
制作会社: My Theater D.D. / Crunchyroll / Bandai Namco Arts / AT-X / THE KLOCKWORX / Comidia / GENCO / Magical Kingdom Anime / Fusion Product / Crunchyroll
As much as this is a testament to the skilful artistry of Jack Cardiff, it also serves as quite an illustrative history of cinema in general. Initially selected by Technicolor to be their first trained operator in Britain, he proceeded to work with some of the most noted directors - Alfred Hitchcock, Powell & Pressburger, John Huston, Henry Hathaway - in an industry that was just coming to terms with the concept of colour photography when he started. By the time he was established, it was he who was setting the standards for innovative cinematography. Contributions from the likes of Lauren Bacall, Kirk Douglas and an extended chat with Martin Scorsese all help us to understand the genius of this otherwise rather understated man who admitted a limited grasp of the technical sides of the business, but boasted a through knowledge of just how light and shade, colour and shadow could all contribute to some of the most masterfully lit imagery - think "Black Narcissus" (1947) - that the big screen has ever seen. What's also clear from this chronology is the wide range of topics to which he could turn his hand. From "The African Queen" (1951) deep in the Congo jungle to John Wayne and Sophia Loren's "Legend of the Lost" adventure from 1957, he tried his best to make them all look like the stars they were. His initial attempts at direction weren't so hot until his multi-Oscar nominated "Sons and Lovers" (1960) which saw him nominated as director but which actually won for Freddie Francis as, well, the cinematographer! The archive is stitched together well here and Craig McCall allows Cardiff himself to do most of the reminiscing in a fashion that seemed to rather sum up a man who had a great and joyous adventure with some of the most famous and glamorous people to grace the silver screen - without it turning his head in the slightest. Modest and engaging - a man well worth following for ninety minutes.
