FindKey

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サラウンデッド
サラウンデッド

サラウンデッド

20231h 40m★ 6.1西洋アクションドラマ
MGM Amazon Channel

あらすじ

金鉱を求めて元兵士のモー・ワシントンが西部に向かう。奇襲攻撃を受けて無法者を捕虜にせざるを得ない状況に陥り、険しい荒野で戦いを繰り広げる。

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MGM Amazon Channel

キャスト

Letitia Wright
Letitia Wright
Mo Washington
Jamie Bell
Jamie Bell
Tommy Walsh
マイケル・ケネス・ウィリアムズ
マイケル・ケネス・ウィリアムズ
Will Clay
ジェフリー・ドノヴァン
ジェフリー・ドノヴァン
Wheeler
Kevin Wiggins
Kevin Wiggins
Curly
ブレット・ゲルマン
ブレット・ゲルマン
Mr. Fields
Luce Rains
Luce Rains
Goldie
Andrew Pagana
Andrew Pagana
Andy
No Image
Augusta Allen-Jones
Ms. Borders
Herman Johansen
Herman Johansen
Sheriff

スタッフ・制作会社

監督: Anthony Mandler

脚本: Justin Thomas / Andrew Pagana

制作: Jason Michael Berman / Anthony Mandler / Letitia Wright

撮影監督: Max Goldman

制作会社: Blackhand Pictures / Mandalay Pictures / Bron Studios / 3.16 Productions / Creative Wealth Media Finance

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

When a stagecoach is ambushed by a violent gang of outlaws, it is left to the quiet and unassuming war veteran "Mo" (Letitia Wright) to keep an eye on the captured "Tommy" (Jamie Bell) whilst her colleagues go off in search of a bag of loot that their would-be robbers had already stolen. The wily and ruthless "Tommy" tries all sort of tactics to try and get her to trust him - and to untie him from a tree, but she is no shrinking violet and it is only when his own gang turn up and she faces some perilous choices that he ends up at liberty and she finds herself facing the ultimate fight for survival. It's not really a Western, I think, this film - it could easily work the same in an urban environment. It's a more of an attempt at a more sophisticated story that looks at sex and race in what was essentially a white man's rather harsh world, and Wright fulfils the role effectively for the most part. Bell is also a good actor when his temper is allowed to run wild and has a rawness that's usually quite fun to watch too. Add to that duo the rather menacing presence of "Clay" (Michael Kenneth Williams) and we should have been set for a cracking story. Sadly, though - we don't get it. The build up scenes and character establishment tee us up well, but when it comes to the execution of the gist of the story, the thing just falls away and becomes rather procedural and familiar. The photography works well as does Robin Hannibal's score, but the dialogue all-too-quickly becomes rather mono-syllabically banal and the film simply runs out of steam after forty minutes or so. There is something suitably vindicating about the denouement, but by then I'm not sure I really cared that much any more. It's certainly worth a watch but I found it disappointing.

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