FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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ランボー 最後の戦場
ランボー 最後の戦場

ランボー 最後の戦場

“ムダに生きるか 何かのために死ぬか お前が 決めろ。”

20081h 30m★ 6.7アクションスリラー戦争

あらすじ

軍事政権下のミャンマーで、ある闇の存在が明らかになる。アメリカ政府は、各国の精鋭傭兵部隊を組織し、事態の鎮圧に乗り出した。最新装備を誇る隊員たちの中、1人手製のナイフと弓矢を武器に、孤独な戦いを繰り広げるジョン・ランボー。残忍な殺りくを繰り返す敵を前に、ランボーの最後の戦いが始まった。

作品考察・見どころ

ジョン・ランボーという男の魂が、これほどまでに残酷かつ純粋に解体されたことはありません。シルヴェスター・スタローン自らが監督を務めた本作は、アクション映画の枠を超えた「暴力の真実」を突きつける黙示録です。静寂の中で研ぎ澄まされる刃と、圧倒的な破壊力で肉体を叩き潰す重機関銃の対比は、老兵の内に眠る野獣の目覚めを鮮烈に描き出しており、観る者の倫理観を激しく揺さぶります。 救いなき地において、平和への祈りが銃弾にかき消される絶望。しかし、その血の濁流の先にしか見出せない「生の証明」が本作には存在します。無口な男が背負い続けた孤独と、彼が最後に行き着く決断は、シリーズの集大成としてあまりにも重厚です。単なるバイオレンス描写の追求ではなく、戦うことでしか己の宿命を全うできない人間の悲哀が、画面から溢れ出る熱量とともに胸に突き刺さる傑作です。

興行成績

製作費: $50,000,000 (75億円)

興行収入: $113,200,000 (170億円)

推定収支: $63,200,000 (95億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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レンタル・購入

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キャスト

シルヴェスター・スタローン
シルヴェスター・スタローン
John Rambo
Julie Benz
Julie Benz
Sarah
Matthew Marsden
Matthew Marsden
School Boy
Graham McTavish
Graham McTavish
Lewis
Reynaldo Gallegos
Reynaldo Gallegos
Diaz
ティム・カン
ティム・カン
En-Joo
Jake La Botz
Jake La Botz
Reese
Maung Maung Khin
Maung Maung Khin
Tint
Paul Schulze
Paul Schulze
Michael Burnett
No Image
Cameron Pearson
Jeff

スタッフ・制作会社

監督: シルヴェスター・スタローン

脚本: Art Monterastelli / シルヴェスター・スタローン / David Morrell

音楽: Brian Tyler

制作: ボアズ・デヴィッドソン / Danny Dimbort / Kevin King Templeton

撮影監督: Glen MacPherson

制作会社: Millennium Media / Lionsgate / The Weinstein Company / Nu Image Entertainment

TMDB ユーザーのレビュー

JPV852
JPV852
★ 9

Kick-ass action all around and although the story is on the basic side and has minimal character development for Rambo himself, just a bloody, albeit too much of it CGI'd, entertaining especially an action-fest finale. Amazing, especially being the fourth entry into the series.

Wuchak
Wuchak
★ 9

_**Intense with more depth than you might think**_ John Rambo (Sylvester Stallone) is alone, bitter and living hand-to-mouth in Thailand when a group of Christian missionaries enlist him to take them into Burma (aka Myanmar) to aid a village. Rambo discourages them in light of the political instability, which includes persecutions and mass slayings, but they insist. Weeks later he learns that the missionaries are missing so he goes back with a group of mercenaries. "Rambo" (2008) is the fourth installment in the franchise after "First Blood" (1982), "Rambo: First Blood Part II" (1985) and "Rambo III" (1988). I'm a huge fan of the first one, which I think is an action/adventure masterpiece, but the next two films are too comic-booky and the characters are cardboard, although Stallone never looked better and the locations are fabulous. This third sequel makes up for that because it's not comic booky at all and there's quite a bit of depth, albeit not much in dialogue form. It combines elements of "Apocalypse Now," "The Killing Fields" & the first two Rambo films and is grim & intense from beginning to end, not to mention it's one of the most violent films ever made. The picture powerfully illustrates the best and worst in humanity. The Christian missionaries are willing to risk everything to help the villagers, whereas the Myanmar militarists revel in slaughtering scores of unarmed people for "fun"; they're also shown abusing/raping women and boys. Obviously they've given themselves wholly over to the darkside of their natures. Such reprobates are only worthy of one thing: Utter annihilation. Several important themes are addressed in the picture besides the main one: * BITTERNESS/DESPAIR AND DELIVERANCE. The beginning of the film shows Rambo in a state of utter bitterness: He's just existing. He has no friends. He doesn't talk much and, when he does, it's few words laced with expletives. The male leader of the missionaries is completely unable to talk him into helping them. Two Biblical proverbs state "a gentle answer turns away wrath" and "a gentle tongue can break a bone." The female missionary (Julie Benz) knows this and skillfully talks John into helping them. Yet there's more going on here. This woman with a heart of gold is Rambo's "golden connection" out of the rut of bitterness. Despite his gruff exterior, she sees something in him, something in his eyes – a good heart, even greatness, a genuine glimmer, however faint. Is Rambo helping the missionaries or is she the one helping him? John instinctively realizes the rope she's throwing him and takes hold of it. There's nothing sensual about their relationship, despite her attractiveness; it's solely spiritual. She stirs in him the hope and faith he's been longing for. * VIOLENCE IS NOT ALWAYS NECESSARY. Although this is a very violent film it skillfully shows when pacifism _is_ appropriate. Note the incident on Rambo's riverboat when the lead mercenary continually insults John and tries to provoke him into a fight. Rambo just ignores him, not even saying a word. In other words, he refuses to allow someone to victimize him and draw him into a conflict that has no positive purpose. It takes true strength to do this and Rambo has this strength. Indeed, John treats the guy as if he's a bothersome gnat. What do you do when a gnat bothers you? Do you break out a machine gun or merely ignore it? This is the "turn the cheek" principle. * TOTAL PACIFISM DOES NOT WORK. The New Testament does not support the idea of absolute pacifism, but rather limited pacifism (only resorting to violence when justified). For instance, Christ’s ministry team had a treasury box with loads of money and some of his workers carried swords for protection from thieves & murderers. Also, Romans 13 clearly states that the righteous laws of human governments are God-ordained for the purpose of punishing criminals, including the right to execute when appropriate. The vast majority of sane Christians realize this, but there are a few extremists who refuse to be BALANCED with the Scriptures on this topic and insist that conflict, and especially armed conflict, is never appropriate. The lead male missionary represents such a person, but perhaps he'll learn the error of his ways. The simple fact is: Some people are so degenerate and evil that execution is the only just ultimate reaction (notice I said "ultimate"). * RAMBO’S SPIRITUAL REBIRTH. The first two sequels show Rambo searching for truth and flirting with religion and spirituality. In the second film he gets a Buddhist necklace off the Asian woman he befriends and at the beginning of "Rambo III" he is shown living & working at a Buddhist temple helping the priests; later, he meets and wins the hearts of moderate Islamic villagers and gives his necklace to a Muslim boy who helped him. In this movie the female missionary is key to John's positive transformation; at one point she gently asks him whether or not he has any family in the USA. He mumbles that he might have a father, he wasn't sure, and didn't seem to care. Shortly later she gives him a cross necklace for helping them (he wouldn't take money). Anyway, the end of the film shows Rambo walking to his family ranch in southern Arizona. Obviously John had a positive spiritual metamorphosis in the story that leads to a decade of peace & love before the next film, “Last Blood” (2019). "Rambo" was written & directed by Stallone and shot in Thailand (and Arizona). It’s short & sweet at 1 hour, 32 minutes. Grade: A

CinemaSerf
CinemaSerf
★ 7

Sylvester Stallone is in his element as the eponymous Vietnam veteran who has retreated to a rural community where he acts as a tourist guide for visitors on his ramshackle old PT boat. When he is approached by some human rights folks who want to charter his boat to seek out some missing Christian Aid missionaries up-river in strife-ridden Burma, he eventually acquiesces and they are soon in a world of pain at the hands of the brutally sadistic "Maj. Tint" (Muang Muang Khin). It's an end-to-end action movie, pyrotechnics galore with some seriously graphic - thereby authentic - scenes of violence that have their roots in a plausible storyline based on well documented abuses from South East Asia in the 1970s. The dialogue is a bit gung-ho, but this is about characterisations and Stallone, Graham McTavish ("Lewis") and Julie Benz ("Sarah") help create a suspenseful drama that is light on message and heavy on delivery...

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