FindKey

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Il plenilunio delle vergini
Il plenilunio delle vergini

Il plenilunio delle vergini

19731h 23m★ 5.2ホラー

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Luigi Batzella / Joe D'Amato

脚本: Ian Danby / マーク・ダモン / Ralph Zucker

音楽: Vasili Kojucharov

制作: Ralph Zucker

撮影監督: Joe D'Amato

制作会社: Virginia Cinematografica

口コミ

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キャスト

マーク・ダモン
マーク・ダモン
Karl Schiller/Franz Schiller
Rosalba Neri
Rosalba Neri
La Contessa Dolingen de Vries (as Sara Bay)
Esmeralda Barros
Esmeralda Barros
Lara the Zombie
Xiro Papas
Xiro Papas
The Vampire Monster (as Ciro Papas)
Gengher Gatti
Gengher Gatti
The Mysterious Man (as Alexander Getty)
Enza Sbordone
Enza Sbordone
Tanya the Innkeeper's Daughter (as Francesca Romana Davila)
Carlo Gentili
Carlo Gentili
The Innkeeper (as Mort Baxter)
Giorgio Dolfin
Giorgio Dolfin
First Villager at Inn (as George Dolfin)
Stefano Oppedisano
Stefano Oppedisano
Second Villager at Inn (as Stephen Hopper)

TMDB ユーザーのレビュー

Wuchak
Wuchak
★ 5

**_Countess Bathory, I mean Dracula, uses a gaudy magic ring to draw virgins to her castle_** Count Dracula is long gone in Transylvania, but a woman has supposedly bought his castle (Rosalba Neri, aka Sara Bay) and there are rumors of virgin sacrifice and lingering vampirism. Into this situation arrive twin brothers from Western Europe looking for the priceless ring of the Nibelungen, one noble and the other ignoble (Mark Damon in a dual role). Horror ensues. "The Devil’s Wedding Night" (1973) is colorful Gothic horror in the mold of Hammer’s "The Vampire Lovers" (1970) and “Countess Dracula” (1971) mixed with their Dracula flicks, albeit with incoherent Italian filmmaking. It’s the precursor to Coppola’s “Bram Stoker’s Dracula” two decades later with the difference that it was shot in a real European castle and looks it (Coppola’s film was shot entirely on studio sets). Luigi Batzella directed the film with Joe D'Amato reshooting some scenes. Rosalba said she couldn’t understand Batzella and it seemed like there were two of him going in different directions, which might explain the drug-addled flourishes that some view as artistic. I call it questionable storytelling. The uncut version naturally has more nudity. For better films of this ilk, see “Lady Frankenstein” (1971) and “The Devil’s Nightmare” (1971). The full version runs 1 hour, 23 minutes, and was shot in Castello Piccolomini in Balsorano, which is about 50 miles east of Rome, Italy. GRADE: C

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