FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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Tigrar
Tigrar

Tigrar

20211h 56m★ 5.7ドラマ

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Ronnie Sandahl

脚本: Ronnie Sandahl

音楽: Jonas Colstrup

制作: Luca Nicolai / Peter Gustafsson / Birgitte Skov

撮影監督: Marek Wieser

制作会社: Black Spark Film & TV / Art of Panic / SF Studios / Adler Entertainment / SVT

口コミ

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キャスト

Erik Enge
Erik Enge
Martin Bengtsson
Frida Gustavsson
Frida Gustavsson
Vibeke
アルフレッド・イーノック
アルフレッド・イーノック
Ryan
マウリツィオ・ロンバルディ
マウリツィオ・ロンバルディ
Galli
Lino Musella
Lino Musella
Luca
Alberto Basaluzzo
Alberto Basaluzzo
Coach Panelli
Gianluca Di Gennaro
Gianluca Di Gennaro
Tonolli
Daniele La Leggia
Daniele La Leggia
Dario
Antonio Bannò
Antonio Bannò
Walter
Antonio Zavatteri
Antonio Zavatteri
Team Physician

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

There is something really quite unnerving about this drama. It adopts a fly-on-the-wall approach to depict the brief time Martin Bengtsson spent at Inter Milan in 2004. He was a skinny, determined, 16 year old bought by this legendary football club where, upon arrival, he struggled pretty much from the start of his short-lived flirtation with top flight football. Erik Enge is really very good in the role. His desire to succeed and to sacrifice whatever is needed to achieve that, is palpably delivered as the film gradually exposes us to a culture in which success is everything. Not speaking Italian doesn't help the young Swede, nor does his own lack of maturity - but it is soon pretty clear that this kind of training atmosphere is not designed to foster any sort of team spirit. It is very much dog eat dog - failure means sale or worse. Luckily, he makes friends with "Ryan" (Alfred Enoch) who speaks English, helps him find his way, buy his first car (even if he is too young to drive) and to see a bit of the nightlife where he meets model "Vibeke" (Frida Gustavsson). His bosses take a dim view of this liaison and coupled with the alienation and pressures he is constantly subjected to, we are soon aware that his mental health is just as precarious as his physical one. This film aims fairly and squarely at an industry - and that is, I think, entertainment in general, not just soccer - that values success at all costs. People are just as much a product as if they were in a jar on a shelf. The challenges he faces are immense but so are the rewards, and those who facilitate - rather than deliver themselves, are benignly ruthless and seriously risk averse. Bengtsson was a boy in a man's world. Lonely, isolated and treated little better than a performing chimpanzee. The film itself is actually not that great. The production is quite basic and the POV style of photography did start to annoy me after a while, but the underlying messages of a desperation to thrive subsuming everything, and of an industry that cares little of any "duty of care" to those it attracts makes for a compelling, at times quite tough, film to watch.

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