FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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Retreat
Retreat

Retreat

20111h 29m★ 5.6ホラードラマスリラー

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

興行成績

興行収入: $4,498 (0億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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キャスト

キリアン・マーフィー
キリアン・マーフィー
Martin
Jamie Bell
Jamie Bell
Jack
タンディ・ニュートン
タンディ・ニュートン
Kate
Jimmy Yuill
Jimmy Yuill
Doug
Marilyn Mantle
Marilyn Mantle
Mrs. Doug

スタッフ・制作会社

監督: Carl Tibbetts

脚本: Janice Hallett / Carl Tibbetts

音楽: Ilan Eshkeri

制作: Gary Sinyor / Dominic Wright / サイモン・クロウ

撮影監督: Chris Seager

制作会社: Magnet Films / Ripple World Pictures / SC Films International

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

It would probably take an event of global significance for me to ever end up boarded up in a remote island house with Jamie Bell and Cillian Murphy but Thandie Newton is obviously much harder to please in this disappointing apocalyptic thriller. “Kate” is married to “Martin” (Murphy) and they have taken refuge far from the madding crowd to get over some sort of family disaster which she appears to hold him responsible for. With the storm clouds gathering - both metaphorical and physical, and their generator playing up, the couple are barely speaking when she spots a body nearby. Racing to the scene they discover the blood-soaked “Jack” (Bell) who looks like he has seen better days. Indoors and recovered a little, he regales them with a story of grim disaster on the mainland and insists that they hole up for the duration. Sceptical, they soon find themselves more hostages than partners - but is he telling them the truth, or has he more malevolent designs? This starts off weakly but for about fifteen minutes there’s a degree of menace as the plot establishes itself and a sense of frenzy starts to emerge, especially from “Kate”, but then the story takes a few silly twists and takes us back to square one. The low-powered audio mix doesn’t help it much either as half the time what dialogue there is is hard to make out, and I’m afraid that tempting as this incarceration might have been at the start of the film, it rather lost it’s lustre as the thing just ran out of steam. I did quite like the denouement, but it could have come half an a hour earlier and spared us wading through what is a really pretty pointless film.

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