FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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世界で一番美しい少年
世界で一番美しい少年

世界で一番美しい少年

20211h 33m★ 7.5ドキュメンタリー

あらすじ

No synopsis available.

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ビョルン・アンドレセン
ビョルン・アンドレセン
Self
No Image
Robine Román
Self - Björn Andrésen's Daughter
No Image
Annike Andresen
Self - Björn Andrésen's Sister
No Image
Jessica Vennberg
Self - Björn Andrésen's Girlfriend
No Image
Ann Lagerström
Self - Björn Andrésen's Childhood Friend (voice)
No Image
Miriam Sambol
Self - Governess (voice)
No Image
Silva Filmer
Self - Björn Andrésen's Mother's Friend
No Image
Margareta Krantz
Self - Casting Director (voice)
No Image
Max Seki
Self - Manager
No Image
酒井政利
Self - Music Producer

スタッフ・制作会社

監督: Kristian Petri / Kristina Lindström

脚本: Kristina Lindström / Kristian Petri

音楽: Anna von Hausswolff / Filip Leyman

制作: Stina Gardell

撮影監督: Erik Vallsten

制作会社: Mantaray Film / Jonas Gardell Produktion / SVT / ZDF/Arte

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

If there ever were to be a story of not just how transitory beauty is, but of how shallow too - then it has to be this documentary film. Kristina Lindström starts us off in the grubby and filthy apartment of Björn Andrésen. His neighbours are threatening to have him evicted if he doesn't up his game... Who is he and why should we care? Well we are quickly taken back fifty years to auditions held by Luchino Visconti for his soon to be made "Death in Venice". He is looking to cast the part of "Tadzio" - the stunningly beautiful, angelic, young man who turns the head of just about everyone in this most romantic of cities - but especially that of Dirk Bogarde's "Gustav von Aschenbach". What now ensues is a tale of a young man who must learn quickly to deal with the discipline and adulation of fame; but also with it's fickleness and with the troughs that always follow the all-too-brief moments of joy and celebrity. Let's just say that this young man didn't have his tragedies and battles to seek as he aged and this film portrays honestly, though not unsympathetically, as he learned to cope and is still trying to cope now. It features plenty of archive actuality to give the narrative gravitas and authenticity - and offers a salutary warning about the volatility of life in and after a bright, bright spotlight.

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