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The Night Runner
The Night Runner

The Night Runner

19571h 19m★ 5.2ドラマスリラー

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Abner Biberman

脚本: Gene Levitt / Owen Cameron

音楽: Heinz Roemheld / Frank Skinner

制作: Albert J. Cohen

撮影監督: George Robinson

制作会社: Universal International Pictures

口コミ

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キャスト

Ray Danton
Ray Danton
Roy Turner
Colleen Miller
Colleen Miller
Susan Mayes
Merry Anders
Merry Anders
Amy Hansen
Willis Bouchey
Willis Bouchey
Loren Mayes
Harry Jackson
Harry Jackson
Hank Hansen
Robert Anderson
Robert Anderson
Ed Wallace
No Image
Jean Inness
Miss Dodd
Eddy Waller
Eddy Waller
Vernon
John Stephenson
John Stephenson
Dr. Crawford
No Image
Alexander Campbell
Dr. Royce

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

I can't say I am too familiar with Ray Danton, but his dashing good looks and considered performance go some way to keeping this sad and complicated melodrama out of the doldrums. We know from the start that he has been released from a psychiatric hospital (initially against the advice of his doctor who was rather brow-beaten into changing his mind by his board colleagues). It is fairly clear that this man, "Roy", is prone to less lucid moments and his past does limit his opportunities in his new, bustling, environment. "Roy" takes a bus up the coast and along the way alights at a garage where he quite quickly befriends "Hank" (Harry Jackson) and "Amy" (Merry Anders) and decides to take a chalet at a local motel. This is where he encounters "Susan" (Colleen Miller) who's the daughter of the owner "Loren" (Willis Bouchey). There are definite sparks between the young couple, and soon they are all but courting with their friends from the garage. A letter arrives and is read by the father that could change all this - it details the nature of the illness and causes him to lose his temper with his visitor and a rather calculated red mist descends... This is quite a savage indictment of the treatment of mentally ill people who are released, ill-equipped and with no ongoing treatment plan, into a society that is equally ill-equipped to deal with people requiring understanding, tolerance and compassion. At times "Roy" is like a young child exposed to an adult environment where emotions are running high (even when they are not) and Danton plays that character quite effectively. Miller provides for quite a decent foil too and the writing and direction leave much of the man's increasingly overwhelming predicament to our imagination. It is terribly over-scored, far too much heavy and loud music to create a tension that is doing fine by itself, and the pace isn't always the best but otherwise this is a surprisingly thought-provoking low-budget drama that is certainly worth a watch.

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