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Bad for Each Other
Bad for Each Other

Bad for Each Other

19531h 23m★ 5.7ドラマ

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Irving Rapper

脚本: Horace McCoy / Irving Wallace

撮影監督: Franz Planer

制作会社: Columbia Pictures

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キャスト

Charlton Heston
Charlton Heston
Dr. Tom Owen
Lizabeth Scott
Lizabeth Scott
Helen Curtis
Dianne Foster
Dianne Foster
Joan Lasher
Mildred Dunnock
Mildred Dunnock
Mrs. Mary Owen
Arthur Franz
Arthur Franz
Dr. Jim Crowley
Ray Collins
Ray Collins
Dan Reasonover
Marjorie Rambeau
Marjorie Rambeau
Mrs. Roger Nelson
Lester Matthews
Lester Matthews
Dr. Homer Gleeson
Rhys Williams
Rhys Williams
Doc Scobee
Lydia Clarke
Lydia Clarke
Rita Thornburg

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

Charlton Heston ("Col. Owen") returns from almost ten years as an army surgeon to his Pennsylvania home to find that his dead brother has been accused of sloppy practices that caused fatalities at a coal mine. His mother (Mildred Dunnock) and local doctor "Scobee" (Rhys Williams) hope he will stay and help the local community, but he discovers that his late brother had run up quite a bit of debt and determines to pay it back. A chance meeting with the "Helen" (Lizabeth Scott) - the daughter of the man who holds the debt - introduces him to new opportunities. She is wealthy, twice divorced, and well connected. His quick thinking after an incident at a party sees an association with prominent, and rather venal, doctor "Gleeson" (Lester Matthews) offer him a route to success and prosperity. Along the way, he proposes to "Helen" and all looks set fair. Much of this film takes a swipe at the hypochondriac patients - mostly wealthy women - and at the physicians who are little better than charlatans; charging a small fortune for glorified Alka Seltzer. Will "Owen" continue to be satisfied with this increasingly unfulfilling existence or will his innate instincts developed during wartime send him back to tend to the more legitimate and urgent needs of the community at large? Heston is a bit on the wooden side here, he delivers his dialogue rather stiltedly and without much passion. Scott is adequate - but more as an effective conduit for the decisions the doctor might make, and there is a decent, if sparing, contribution from Dianne Foster as the voice of reason in the man's increasingly conflicted life - and not just professionally, either. It's way too wordy but it does offer food for thought about practices that probably still exist today and is a bit better than I was expecting.

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