FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

コーチ・カーター
コーチ・カーター

コーチ・カーター

20052h 16m★ 7.6ドラマ履歴
U-NEXT

あらすじ

高校のバスケット・チームを舞台に教師の苦悩と葛藤を描く感動の人間ドラマ。監督は『ネゴシエーター』のトーマス・カーター。R&B界の歌姫・アシャンティが本作で映画デビューを飾っている。サミュエル・L・ジャクソン演じるコーチ・カーターの人間らしいキャラクターはハマリ役。

作品考察・見どころ

サミュエル・L・ジャクソンの圧倒的な威圧感と慈愛に満ちた眼差しが、本作を単なる成功物語以上の次元へと押し上げています。勝利至上主義のスポーツ映画という枠組みを壊し、若者たちの「人生」そのものに責任を持とうとするカーターの冷徹なまでの信念は、見る者の倫理観を激しく揺さぶります。 コート上の躍動感と対照的に描かれる、閉塞感漂う日常のリアリティが、彼らの選ぶ道の重みを際立たせます。教育こそが唯一の武器であるという力強いメッセージは、時代を超えて普遍的な価値を放っています。才能を磨くこと以上に、自らの誇りを守り抜くことの尊さを教えてくれる、魂を揺さぶる傑作です。

興行成績

製作費: $30,000,000 (45億円)

興行収入: $76,669,554 (115億円)

推定収支: $46,669,554 (70億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

あなたの評価を記録する

予告・トレイラー

配信サービス

サブスクリプション

U-NEXT

レンタル・購入

Amazon Video
Apple TV Store
Google Play Movies
FOD

キャスト

サミュエル・L・ジャクソン
サミュエル・L・ジャクソン
Ken Carter
Rob Brown
Rob Brown
Kenyon Stone
Robert Ri'chard
Robert Ri'chard
Damien Carter
Rick Gonzalez
Rick Gonzalez
Timo Cruz
Nana Gbewonyo
Nana Gbewonyo
Junior Battle
Antwon Tanner
Antwon Tanner
Worm
チャニング・テイタム
チャニング・テイタム
Jason Lyle
Ashanti
Ashanti
Kyra
Texas Battle
Texas Battle
Maddux
Lacey Beeman
Lacey Beeman
Susan

スタッフ・制作会社

監督: トーマス・カーター

脚本: Mark Schwahn / John Gatins

音楽: Trevor Rabin

制作: トーマス・カーター / Van Toffler / Brian Robbins

撮影監督: Sharone Meir

制作会社: Paramount Pictures / MTV Films / Tollin/Robbins Productions

TMDB ユーザーのレビュー

The Movie Mob
The Movie Mob
★ 7

**Coach Carter allows its powerful true story to shine through Samuel Jackson’s performance and the focus on the lives of the young men Coach Carter coached.** Coach Carter is the inspiring true story of a coach that cared much more about the lives and future of his players than winning a game. Samuel Jackson was the perfect choice to play no-nonsense but compassionate Coach Ken Carter that believed in his players while holding them to standards that changed their lives. While the movie is about basketball, the focus is much more on the relationships and development of its characters. The actual basketball scenes of the movie are decent but less compelling than the rest of the story. Coach Carter is an excellent film for those that want to see how their choices and willingness to fight compromise can change the lives of others.

CinemaSerf
CinemaSerf
★ 7

When the eponymous coach (Samuel L. Jackson) arrives at Richmond High School, he inherits a disparate group of guys who play basketball as they take life - casually with little responsibility. Their grades are low and so their futures unlikely to break the cycle of poverty and lack off opportunity. He decides to try and break that by insisting that they sign contracts before they can play. These require perfect attendance, no late-coming and grade averages that will ensure they graduate. There's resistance from the team and from their parents, but thanks to a bit of help from the principal (Denise Dowse) he sticks to his guns and they have to accept his ultimatum. The remainder of the film follows his attempts to mould something cohesive from these young men as they, themselves, deal with issues that impact on their own lives. Carter's dream is not a forgone conclusion here. Though there is an element of predictability to the development of the story, his charges do not routinely conform to his grand design and as he gradually builds a functioning (and winning) team, he also realises that their academic focus is what's lacking. That's his biggest challenge. They can't make a living playing ball, but it can be a conduit to an education that can stand them in good stead in the future - and that's the real message here. As with so many people growing up in an environment devoid of opportunity, sport can prove to galvanise people. It can offer hope, introduce the benefits of team building and inter-reliance and ultimately help to prioritise for what's to come. Jackson puts in a strong effort here, and the writing also helps succinctly tell a story that Rick Gonzalez, Rob Brown and Anton Tanner also contribute well to as they represent the men who just initially want to play with little appreciation of the profound chance being offered them. It is too long, and towards the end the story does rather run out of steam, but as a real-life coming of age story it still works well.

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