

The Moon Is Blue
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
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興行成績
製作費: $400,000 (1億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。


No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $400,000 (1億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Otto Preminger
脚本: F. Hugh Herbert
制作: Otto Preminger / F. Hugh Herbert
撮影監督: Ernest Laszlo
制作会社: Otto Preminger Films / United Artists
Drink to Me Only with Thine Eyes. The Moon is Blue is one of those olde rom-coms that nowadays has the ability to baffle us as to how it caused such ripples in the movie world back in the day. But ripples it did stir, and all told it's a pretty effective study of manners, etiquette and sexual understandings. Directed by Otto Preminger and based on F. Hugh Herbert's cheeky play of the film's title, it stars William Holden, David Niven and Maggie McNamara. Plot essentially revolves around McNamara holding onto her virginity as the male predators close in. If she holds firm she will of course snare the man she is meant to be with. It's a bit talky and too mired in its stage origins at times, but there's a waspish deliberation about the humour that holds attention and the performances, in conjunction with Preminger's agile camera techniques, are well worth investment. More curio than essential cinema, but enjoyable and rich with characterisations of worth. 7/10 The Moon is Blue is one of those olde rom-coms that nowadays has the ability to baffle us as to how it caused such ripples in the movie world back in the day. But ripples it did stir, and all told it's a pretty effective study of manners, etiquette and sexual understandings. Directed by Otto Preminger and based on F. Hugh Herbert's cheeky play of the film's title, it stars William Holden, David Niven and Maggie McNamara. Plot essentially revolves around McNamara holding onto her virginity as the male predators close in. If she holds firm she will of course snare the man she is meant to be with. It's a bit talky and too mired in its stage origins at times, but there's a waspish deliberation about the humour that holds attention and the performances, in conjunction with Preminger's agile camera techniques, are well worth investment. More curio than essential cinema, but enjoyable and rich with characterisations of worth. 7/10