1984年、イギリス北部の炭坑町。11歳のビリーは炭坑労働者のパパと兄トニー、おばあちゃんと暮らしていた。ある日、ビリーの通うボクシング教室のホールにバレエ教室が移ってきた。ふとしたことからレッスンに飛び入りしたビリーは、バレエに特別な開放感を覚えるのだった。教室の先生であるウィルキンソン夫人もビリーに特別な才能を見出した。それからというものビリーはバレエに夢中になるのだが……。バレエ・ダンサーを目指す少年の姿を描いたS・ダルドリー監督の長編第1作。
製作費: $5,000,000 (8億円)
興行収入: $109,280,263 (164億円)
推定収支: $104,280,263 (156億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Stephen Daldry
脚本: Lee Hall
音楽: Stephen Warbeck
制作: Greg Brenman / Jonathan Finn / Charles Brand
撮影監督: ブライアン・トゥファノ
制作会社: StudioCanal / BBC Film / Tiger Aspect / Arts Council of England / Working Title Films / WT² Productions / Universal Pictures
I hadn't seen this film since it was released when it was shown recently as a part of the Glasgow Youth Film Festival. The fact that it was chosen by the kids of today in what would have been just as unlikely a setting for this film as the North of England speaks volumes as to it's effect on challenging and breaking the stereotypical moulds that the British working class in the early 1980s was steeped in. The sylph-like "Billy" (the hugely engaging Jamie Bell) goes to boxing class each week but is soon more preoccupied by the adjacent dancing class of the no-nonsense "Mrs. Wilkinson" (Julie Walters) who gradually lets him join in. He's a bit scared that his dad (Gary Lewis) and his wayward brother "Tony" (Jamie Draven) will find out so it has to all be a bit clandestine. It's only when his striking miner father finds out from the boxing coach that "Billy" is spending his 50p elsewhere that a confrontation ensues and the film steps up a gear. The characterisations are strong and are not frightened to evolve - but not in a simplistic A+B=C fashion. There are troubles and traumas - not least those faced by a father who struggles with his own emotions; is facing financial difficulties, a wayward older son and a younger one who wants to dance and hangs about with best pal "Michael" (another strong effort from Stuart Wells) who is quite clearly gay. Walters and Bell and Bell and Lewis work well together here; allowing the story to emerge naturally and energetically and as feel-good films go, this takes some beating. It's the ultimate "anyone can do" film that resonates as well now as it did then - only, maybe, the soundtrack needs a bit of updating! Great film this - and there's even a tiny bit of Adam Cooper at the end.
