

誤発弾
Overview
精神異常の母、栄養失調の妻、戦争で障害者となり、仕事もせず酒浸りの弟ヨンホ、そして家族に隠れてGI相手の娼婦をする妹、なにも知らずにゴム靴をせがむ娘。多くの家族を養うチョルホは、煩悶の日々を送っている。そんななか、弟ヨンホは軍隊時代の戦友たちと銀行強盗を企て、警察に捕まってしまう…。
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TMDB ユーザーの口コミ
I’m struck by how Yoo Hyun-mok fuses Italian Neorealism with a distinctly Korean sense of moral paralysis, creating a portrait of post-war despair that still feels uncomfortably present. The film’s cramped interiors, handheld street scenes, and jarring cuts trap the viewer inside the same psychological claustrophobia that consumes its characters. Rather than depicting dramatic collapse, Obaltan shows a slow erosion—lives quietly worn down by debt, trauma, and a social order struggling to rebuild on spiritual ruins. Its bleakness isn’t decorative; it functions as a diagnosis, an autopsy of a society trying to move forward while still bleeding internally. What fascinates me is how the aesthetic mix of documentary immediacy and expressionist anxiety makes even brief moments of hope feel intrusive, almost inappropriate.





















