スーパーハイブリッド
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $13,000,000 (20億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $13,000,000 (20億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: エリック・ヴァレット
制作: Tim McGrath
撮影監督: John R. Leonetti
制作会社: Stallion Media / Studio 407 / TADORA Filmproduktions / Voltage Pictures
Should have been much worse than it was. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**_A night of vehicular hell at a Chicago impound garage_** After a street accident, a mysterious car is brought to the city parking lot whereupon the midnight crew are thrust into an unbelievable life-or-death situation. “Super Hybrid” (2010) meshes ideas from “Killdozer” and “Christine” but adds a fresh concept and the milieu of a big city impound garage. It’s superior to the former, but not great like the latter. Shannon Beckner is effective as the protagonist, Tilda, while Melanie Papalia is worth a mention as Maria. The first act is compelling in the manner of, say, “The Hidden,” but I started losing interest a little by the last act. There’s some predictableness and, while I don’t mind the trope of the unlikely female rising to the challenge, it wasn’t necessary to paint the ex-military guy in such a negative light (Oded Fehr). Just because someone’s a boss and tells subordinates what to do in order to get things done, it doesn’t automatically make him/her evil incarnate. The switch to coldhearted bumbling moron doesn’t ring true. Meanwhile the parting shot is eye-rolling in the manner of “Abominable” and the future “Dark Was the Night.” Still, if you can roll with its weaknesses, “Super Hybrid” is thrilling enough, albeit one-dimensional, if you want something along the lines of “Killdozer” or “Christine.” The movie runs 1 hour, 34 minutes, was shot in Regina, Saskatchewan. GRADE: B-/C+
