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FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

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Coney Island
Coney Island

Coney Island

19431h 36m★ 6.1コメディ音楽

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

興行成績

製作費: $1,620,000 (2億円)

興行収入: $3,305,000 (5億円)

推定収支: $1,685,000 (3億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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キャスト

Betty Grable
Betty Grable
Kate Farley
George Montgomery
George Montgomery
Eddie Johnson
Cesar Romero
Cesar Romero
Joe Rocco
Phil Silvers
Phil Silvers
Frankie
Charles Winninger
Charles Winninger
Finnigan
Matt Briggs
Matt Briggs
William Hammerstein
Phyllis Kennedy
Phyllis Kennedy
Dolly
Paul Hurst
Paul Hurst
Louie
Andrew Tombes
Andrew Tombes
Horace Carter
Frank Orth
Frank Orth
Bartender

スタッフ・制作会社

監督: ウォルター・ラング

脚本: George Seaton / レオ・ロビン

音楽: Cyril J. Mockridge

制作: William Perlberg

制作会社: 20th Century Fox

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

Fortunately, the chorus only sing the names of the three that share top billing here! Thereafter, we meet the loveable rogue that is “Eddie” (George Montgomery) who just wants what he thinks is rightfully due to him from his erstwhile partner “Joe” (Cesar Romero). This pal is about to open a new venue in which he will see “Kate” (Betty Grable) star - and has no intention of sharing! Out of options, “Eddie” turns to his friend “Frankie” (Phil Silvers) to let him join his circus-like enterprise during which he and “Kate” start to publicly spar about who is wearing what. She has an hat that Carmen Miranda might have been proud of. Anyway, the punters quite like his antics so “Joe” muscles in leading to reprisals that ultimately leads “Joe” to believe that he is a murderer! “Eddie” agrees to keep schtum, but it is going to cost him. With “Eddie” now cheek by jowl with “Kate” and “Joe” out of the picture, could things be set fair? Of course, there are loads of twists and turns yet to come as this trio play cat and mouse with each other just waiting to see who can pounce! The story itself is all a bit old hat - we’ve seen the love triangle story loads of times before, and I’m afraid that Phil Silvers just never could make be laugh, but there is an amiable degree of chemistry between Grable and her two suitors and there are plenty of set-piece theatrical numbers for the million-dollar legs to showcase just what a charismatic star she was. It’s a great example of Technicolor brilliance too, especially towards the end when the screen positively comes alive, and it is probably just the kind of wartime fillip the audiences would have lapped up. It’s all fairly forgettable, but it’s quite good fun.

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