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Bitter Victory
Bitter Victory

Bitter Victory

19571h 42m★ 6.2ドラマ戦争

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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スタッフ・制作会社

監督: Nicholas Ray

脚本: René Hardy / Nicholas Ray / Gavin Lambert

音楽: Maurice Le Roux

制作: Paul Graetz / Janine Graetz / Robert Laffont

撮影監督: Michel Kelber

制作会社: Robert Laffont Productions / Transcontinental Films / Columbia Pictures

口コミ

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キャスト

リチャード・バートン
リチャード・バートン
Capt. Leith
Curd Jürgens
Curd Jürgens
Major David Brand
Ruth Roman
Ruth Roman
Jane Brand
クリストファー・リー
クリストファー・リー
Sgt. Barney
Raymond Pellegrin
Raymond Pellegrin
Mekrane
Anthony Bushell
Anthony Bushell
General Paterson
Alfred Burke
Alfred Burke
Lt. Colonel Callander
No Image
Ramón de Larrocha
Lieutenant Sanders
Ronan O'Casey
Ronan O'Casey
Sergeant Dunnigan
No Image
Fred Matter
Oberst Lutze

TMDB ユーザーのレビュー

John Chard
John Chard
★ 4

Deconstructing Machismo. Bitter Victory is directed by Nicholas Ray and adapted to screenplay from the novel of the same name written by Rene Hardy. It stars Richard Burton, Curd Jurgens, Ruth Roman, Raymond Pellegrin, Christopher Lee and Nigel Green. Music is by Maurice Leroux and cinematography by Michel Kelber. It’s a film that has proved most divisive over the years, where some have seen fit to devote in depth studies to it, others have bitingly dismissed it as a stretch to far in pretentious posturing. Personally I found it rather dull, a dreary trudge through the World War II deserts as Burton and Jurgens butt heads because Burton’s character had an affair with Jurgens’ wife (Roman). The pace is purposely sedate, except for the battle sequence that is, so we are left to rely on the skills of the writers and actors to carry us through to film’s end. Burton is good value, he almost always was when he got to brood and pontificate, while Green is his usual irrepressible self. Jurgens, however, is miscast and very uncomfortable with the moody machinations of his character. While the editing is at times awful and a couple of scenes don’t really make sense. Undeniably there is some potency bubbling away in the writing, the deconstruction of machismo and military cynicism angles carry thematic weight, but the film is structured in such a cocksure way it just comes off as being preachy instead of taking full advantage of the emotional core of the characters as written by Hardy. Just because I don’t like the film doesn’t mean it’s bad, as previously stated, many find it fascinating and powerful, but it’s not for me and I feel it’s one of the great Nicholas Ray’s lesser works. 4/10

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