FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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エリジウム
エリジウム

エリジウム

“彼の余命は、あと5日—。”

20131h 49m★ 6.5サイエンスフィクションアクションドラマスリラー
U-NEXT

あらすじ

2154年、地球上の生活環境は酷く悪化し富裕層は衛星軌道上の宇宙コロニー「エリジウム」へ移住しており、高度な医療技術により老いや病からも解放され快適に暮らしている。地上では大勢の人々が過酷な労働と病気に苦しんでいる。デラコート防衛長官は、エリジウムへの密航者をドロイドや傭兵を配して排除に努めている。そんな中、ロサンゼルスの工場労働者マックスは作業中の不慮の事故により余命5日と診断されエリジウムでの先端医療に希望を求める。

作品考察・見どころ

ニール・ブロムカンプ監督が描く、リアリズムとSFガジェットの融合が凄まじい作品です。汚染された地球の土埃と、宇宙に浮かぶ理想郷エリジウムの無機質な美しさ。この痛烈な視覚的対比が、現代の格差社会という病理を剥き出しにします。肉体に直接ボルトで固定されたエクソスケルトンの重厚な質感が、主人公の生存への執着を物理的に体現し、観る者の本能を強烈に揺さぶります。 マット・デイモンの泥臭い熱演と、ジョディ・フォスターの冷徹な威圧感は圧巻です。医療の平等という普遍的なテーマを突きつけるメッセージ性が、暴力的なまでの映像美の中に凝縮されています。システムの犠牲となる者の叫びと、運命を切り拓こうとする人間の尊厳。これほどまでにエネルギッシュで、魂を震わせるディストピア映画は他に類を見ません。

原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

興行成績

製作費: $115,000,000 (173億円)

興行収入: $286,140,700 (429億円)

推定収支: $171,140,700 (257億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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U-NEXT

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キャスト

マット・デイモン
マット・デイモン
Max
ジョディ・フォスター
ジョディ・フォスター
Delacourt
Sharlto Copley
Sharlto Copley
Kruger
ディエゴ・ルナ
ディエゴ・ルナ
Julio
ヴァグネル・モウラ
ヴァグネル・モウラ
Spider
アリシー・ブラガ
アリシー・ブラガ
Frey
ウィリアム・フィクナー
ウィリアム・フィクナー
John Carlyle
ホセ・パブロ・カンティージョ
ホセ・パブロ・カンティージョ
Sandro
ファラン・タヒール
ファラン・タヒール
President Patel
Maxwell Perry Cotton
Maxwell Perry Cotton
Young Max

スタッフ・制作会社

監督: Neill Blomkamp

脚本: Neill Blomkamp

音楽: Ryan Amon

制作: サイモン・キンバーグ / Sue Baden-Powell / Bill Block

撮影監督: Trent Opaloch

制作会社: TriStar Pictures / MRC / QED International / Alphacore / Genre Films

TMDB ユーザーのレビュー

CGGB
CGGB

Parece que fuera el sino de la tierra y de los hombres, situacion que es posible observar a traves de la historia universal. Pero no seria posible hacer una película que muestre lo contrario? sería una lección o un modelo para todos en un mundo tan convulsionado?

Andres Gomez
Andres Gomez
★ 7

If you want an action movie, this one really rocks. There are some unneeded clichés but, all in all, is quite an enjoying journey. In addition, Matt Damon, Jodie Foster and, remarkably, Sharlto Copley perform at great level.

DoryDarko
DoryDarko
★ 10

Wow... Where do I begin? I just got back from the cinema and I can still feel the adrenaline rushing through me. I was already a huge fan of director Neill Blomkamp's previous effort, District 9, so my expectations were running pretty high. And for once, I was not disappointed. No, I got even more than I could have hoped for. Elysium is a terrific film. Plain and simple. The story is fairly simple, which I consider a good thing because the plot was easy to follow and so it wasn't overly complex and trying to be too intelligent and contrived. It is the year 2154, and planet Earth is one hot mess. The rich reside on a space station called Elysium while the poor remain on Earth, basically grabbing at every straw just to get by. The story we follow is that of Max, who, after a terrible accident at work, is in dire need of medical help, which is only available at Elysium. In order to get there, he must go to extreme measures. I won't tell you anything else, because that would just spoil the fun. Max is played by Matt Damon, and he is very good in this role. He truly carries the film, start to finish. It always pleases me to see an actor who is just as good at tackling the character elements as well as the action parts of his role. When you think about it, that doesn't actually happen that often. Matt Damon can do both perfectly, and he is convincing in every aspect. Jodie Foster plays the role of senator Delacourt, a rich bitch who thinks she can get away with anything just because she calls the shots on Elysium. Well, somebody's about to prove her wrong... I absolutely love Jodie Foster, so it's hard not to gush, but she is a delight to watch. Her character is cold, calculating and without a sliver of conscience. And Jodie is so convincing you just want to slap her. It was great, and the fact that her accent is a little weird and distracting at times, is easily forgiven. William Fichtner also appears in a relatively small, but crucial role. The biggest surprise for me, however, was Sharlto Copley. Remember him from District 9? He played Wikus, a dorky and kind of sissy character... Well, not in this one. His character Kruger, is the meanest, most vile bastard you can imagine. A card-carrying sadistic psycho. It really was a great opportunity for Copley to prove his versatility as an actor, and he used it to the fullest. Also, somehow his South-African twang made his character even more menacing, so I'm really glad he didn't drop it in favour of a – perhaps more crowd-pleasing – American accent. My biggest compliment goes to the special effects department. As was the case with District 9, the SFX are so convincing, it's actually hard to realise that you're watching something that was probably 96% computer animated. Unlike D9, the visuals were even better here, if you can believe that. Usually, when a director's first film is a success and they up his budget for the next one, they go completely overboard and essentially ruin the aesthetics that made the first film so successful *cough*Matrix*cough*. In this case, all and everything was a major improvement. The action scenes are incredibly solid, the spacecrafts were eye-poppingly gorgeous (without being all flashy and futuristic – adding to the reality factor) and Elysium was a true sight to behold. 109 minutes of pure eye candy. There were only two things that slightly bothered me. One, the somewhat stereotypical characterization of the Rich vs. The Poor. Simply put, rich = evil and poor = good, no exceptions. Especially with the rich Elysium folk I found it a little bothersome that there wasn't a single person who seemed to have a heart, they were almost mechanical and so the polarisation was pretty black-and-white. Two, the lack of emotional involvement. I didn't really feel much for any of the characters, except Max. There is a plot line with a woman he has feelings for, whose daughter is very ill, and that's a sad thing but the film failed at really convincing me why I'm supposed to care. Could be personal, but that's the way I experienced it. However, these two minor plot points are not sufficient enough to deter me from giving this film any less than 10 stars. What I think is most thrilling about Elysium is the fact that it actually paints a frighteningly plausible picture of what our future might just look like. It is, in any case, much more realistic than pretty much every other post-apocalyptic film I've ever seen. Don't write this concept off too easily, this might very well be the world we live in one day. In the end, Elysium is a terrifically made film. It's gritty, it's gnarly and highly realistic. And, to the zero-attention-span MTV kids out there, it's also an incredibly entertaining, action-packed thrill ride. Tiny side note: the violence is quite graphic at times, so some amount of parental guidance is definitely advised. That leaves me with nothing else to say but: go watch this film. You won't regret it. _(August 2013)_

JPV852
JPV852
★ 8

A little heavy-handed at times with the social commentary though that's Neil Blomkamp's thing with all his movies at this point, however still was entertained throughout, the effects were mostly good (a few shots were a bit iffy) and Matt Damon is good in the lead. Didn't exactly land the emotional impact they were going for in the end but still was enjoyed this quite a bit and think it's actually better than District 9 (which I feel is overrated outside of the visual effects) and far and away better than Chappie. **3.75/5**

CinemaSerf
CinemaSerf
★ 6

At least Neill Blomkamp looks like he was able to recycle some of his “District 9” sets for this sci-Fi adventure, but unfortunately that wasn’t all that we will have seen before. The planet Earth is now home to the plebs of society whilst the elite live on an orbiting space station complete with life-giving tech, lakes, rivers, hills, trees and flowers. Those up there are determined to keep the earthlings off their lawns, and so have elaborate defence arrangements in place - commanded by the ruthless and perfectly coiffured “Delacourt” (Jodie Foster) who has an army of ships, droids and mercenaries to fight her battles for her. Down amidst the wreckage lives “Max” (Matt Damon) and when he gets himself exposed to some creeping radiation it seems his only route to survival is to join in on a cunning plan to attack “Elysium”. Not, you understand, front-on, no - but by capturing one of it’s senior defence contractors who just happens to have downloaded some crucial information into his brain that could do a bit of a “Death Star” on their exclusive galactic idyll above. Damon doesn’t really make a very convincing action hero, but Foster does fare rather better as the scheming plotter whilst Sharlto Copley hams up nicely with a rabid performance straight out of a “Mad Max” film. There are loads of pyrotechnics and plenty of action with men, crashes and robots alike as the story ascends to the heavens. It’s predicable, yes, but it is also every bit as good and exciting an adventure as anything Marvel routinely churn out year in year out. It’s the ultimate them and us battle of mankind and our ability to mastermind iniquity and it plays out well enough.

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