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The Gang's All Here
The Gang's All Here

The Gang's All Here

19431h 43m★ 6.0コメディロマンス

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Busby Berkeley

脚本: Nancy Wintner / George Root Jr. / Tom Bridges

音楽: Hugo Friedhofer / Arthur Lange

制作: William Goetz / William LeBaron

撮影監督: Edward Cronjager

制作会社: 20th Century Fox

口コミ

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キャスト

Alice Faye
Alice Faye
Edie Allen
Carmen Miranda
Carmen Miranda
Dorita
Phil Baker
Phil Baker
Phil Baker
Benny Goodman
Benny Goodman
Benny Goodman
Eugene Pallette
Eugene Pallette
Andrew Mason Sr.
Charlotte Greenwood
Charlotte Greenwood
Mrs. Peyton Potter
Edward Everett Horton
Edward Everett Horton
Peyton Potter
No Image
Tony De Marco
Tony
James Ellison
James Ellison
Andy Mason
Sheila Ryan
Sheila Ryan
Vivian Potter

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

There were quite a slew of these ensemble efforts made in 1943, but this one stands out a little more for having an actual plot. “Andy” (James Ellison) is about to be deployed to Australia when he meets up with “Edie” (Alice Faye) and telling her his name is “Casey” spends a whirlwind of an evening with her, out on the town. When it comes to the parting, he pleads with her to regularly write to him and they are soon falling in love. Meantime, his wealthy father (Eugene Pallette) comes up with a wheeze to stage a show to try and raise $1 million for war bonds. Guess who is going to perform at the show? “Edie” is all excited that “Casey” is returning home, and “Vivian” (Shiela Ryan) is equally excited that childhood sweetheart “Andy” is coming home. The two women don’t yet know each other, nor that they share something in common! Now the course of true love never runs smoothly in Hollywood, so we can expect some bumps in the road - but it is a fairly predictable road as we follow their romantic shenanigans. The story really only serves to remind everyone of the difficulties of maintaining a loving relationship in the middle of war. The remainder of this film is a professionally put together showcase of colourful song and dance routines that aren’t especially memorable in themselves, but do give Carmen Miranda a chance to show she can sing, dance, and mix her thickly-accented metaphors with the best of us. The denouement is quite an artistically creative piece of cinema and though it is unlikely you would ever watch it twice, it has a more natural feel-good sentiment to it and the avuncular Pallette is always good for chivvying things along.

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