新入生のケイディ・ハーロンは"プラスチックス"と呼ばれる人気女子のエリートグループに気に入られ、学園社会の食物連鎖の頂点に迎え入れられる。
製作費: $36,000,000 (54億円)
興行収入: $104,970,953 (157億円)
推定収支: $68,970,953 (103億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Arturo Perez Jr. / Samantha Jayne
脚本: ティナ・フェイ / Nell Benjamin / Jeff Richmond
音楽: Jeff Richmond
制作: Nell Benjamin / Jeff Richmond / Erin David
撮影監督: Bill Kirstein
制作会社: Little Stranger / Broadway Video / Paramount Pictures
There are flashes of wit here, and a decent sound-track but for the most part it's a complete non-story. "Cady" (Angourie Rice) arrives as the newbie at the North Shore High School where she is shunned by all but the gay/rebellious combo that is "Damian" (Jaquel Spivey) and "Janis" (Auli'i Caravalho). For a bit of mischief, they decide that "Cady" should infiltrate the trio known as the "Plastics" - dominated by "Regina" (Reneé Rapp) whose leather clad frame has the whole school under her spell. She manages to ingratiate herself with this group of pretty vacuous airheads and report back to her "real" friends each day as the story gets thinner and thinner until it's needs the mother of all toupés. It's about bitchiness, friendship, duplicity, shallowness and then there's the floppy-haired eye candy "Aaron" (Christopher Briney) whom she and "Regina" squabble over - whilst he has all the loyalty of a goldfish; but none of it is really very original or funny. Writer Tina Fey appears as the calculus teacher but fails to impact much as the thing just meanders along ticking every box and beating just about every stereotype to death before the anthesis of all things obnoxious - a spring "prom" - brings things to an inevitable conclusion. Rapp can sing, and she knows how to take this stage-suited concept and belt out a song or two, but the rest of this really does remind me of one of the latter editions of the tired "Glee" project. I get I'm not the demographic, but I struggled to see the point of this.
Too similar to the original, though the musical moments do help alleviate that. I didn't necessarily like any of the songs performed in 2024's <em>'Mean Girls'</em>, but none of them grated on me - which is always a plus when it comes to musicals. I could've done with a slightly shorter run time, though the humour is decent - if a bit hit-and-miss. Angourie Rice is a bit meh in the lead role, certainly a downgrade on Lindsay Lohan. I guess most of the cast are inferior comparatively, but I did enjoy the performances of Reneé Rapp and Jaquel Spivey... Auliʻi Cravalho too. Good to see Tina Fey and Tim Meadows back again, whilst there's a great cameo at one point. All things considered, it's fine. Can't wait for the 2044 remake.
#MovieReview #MeanGirlsMusical #MeanGirls2024 Having never seen the original film before watching this new adaptation, I approached it with an open mind and fresh perspective. As such, I won't be comparing it to the earlier version. Firstly, the cameo appearance from an original cast member was a nice touch, though it didn't elicit the same level of excitement for me as it might for die-hard fans. Now, onto the movie itself. "Mean Girls 2024" is a hit-or-miss experience, depending on your perspective. Dedicated fans of the franchise will likely appreciate it for what it is. As someone who enjoys musicals and appreciates a variety of music genres, I found the film to be enjoyable. Reneé Rapp's portrayal of Regina George showcases her stage background, but she eventually settles into the role as the movie progresses. Although her casting may initially seem odd due to her towering height, she brings energy to the character. Her catchy solo song stands out, showcasing her vocal talent. The dynamics between characters, particularly Regina and Cady, felt a bit off to me, given their stark height difference. However, both actresses deliver strong vocal performances. The portrayal of Gretchen and Karen also adds to the mix of characters, each bringing their unique quirks to the screen. The movie delves into LGBTQ+, transgender, and sexual themes, though without nudity, making it a film geared towards a younger audience. While these themes didn't bother me personally, they are prevalent throughout the movie. Though I wasn't a fan of the casting choice for Damien, finding him too eccentric, I appreciated the performances of the main characters. The male lead, though not heavily featured, serves his purpose in the storyline. Overall, I would consider watching "Mean Girls 2024" again, but perhaps not in theaters. I'm uncertain if I would allow my son to watch it due to the mature subject matter. Fans of the original "Mean Girls" or musical enthusiasts are likely to enjoy this adaptation. For those with a more casual interest in movies, it may be a good watch but not one that demands an immediate rewatch.
