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Noche de fuego
Noche de fuego

Noche de fuego

20211h 50m★ 7.6ドラマ
MUBI

あらすじ

No synopsis available.

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MUBI

キャスト

Ana Cristina Ordóñez
Ana Cristina Ordóñez
Ana (niña)
Mayra Membreño
Mayra Membreño
Ana (adolescente)
No Image
Blanca Itzel Pérez
María (niña)
No Image
Giselle Barrera Sánchez
María (adolescente)
Camila Gaal
Camila Gaal
Paula (niña)
Alejandra Camacho
Alejandra Camacho
Paula (adolescente)
Mayra Batalla
Mayra Batalla
Rita
No Image
José Estrada
Margarito (niño)
No Image
Julián Guzmán Girón
Margarito (adolescente)
Norma Pablo
Norma Pablo
Luz

スタッフ・制作会社

監督: タチアナ・ウエソ

脚本: Jennifer Clement / タチアナ・ウエソ

音楽: Leonardo Heiblum / Jacobo Lieberman

制作: Nicolás Celis / Juan Carlos Rojas Cacho / ジム・スターク

撮影監督: Dariela Ludlow Deloya

制作会社: Pimienta Films / The Match Factory / Desvia Produções / Bord Cadre Films / Louverture Films / Cactus Film & Video / Jaque Content

TMDB ユーザーのレビュー

badelf
badelf
★ 7

It seems like the English title was created just to pull at the heart strings - That was totally unnecessary. The acting is really impressive. We've spent a huge amount of time in Mexico (due to the pandemic). This story is a truth in some areas of Mexico. It is a heart-breaking, real-life, horror story. It is a fact that some villagers do not escape this horror.

CinemaSerf
CinemaSerf
★ 7

Yikes but this is quite a difficult film to watch. It's centred around three teenage girls who live amidst the poppy fields of Mexico. "Ana" (Maria Membreño) "Paula" (Alejandro Camacho) and "Maria" (Giselle Barrera Sánchez) try to live their lives as normally as they can, but the fact that their school teacher is leaving because he won't pay protection money to the drug pedlars gives us some indication of the society in which they live. Indeed, it's this teacher who raises the issue of a missing girl - and that enlightens us to the fact that once they reach a certain age, these young women have other "uses" and nobody dares speak out about it. The chronology flits between the current life of these three and their younger childhood and illustrates that for them, there is little hope of change unless they are prepared to leave - but that they don't want to do with out each other or their mothers (the fathers don't feature at all in this drama). The rather courageous role of motherhood is really well exemplified by Mayra Batalla's contribution as "Rita". A woman who treats her daughters first menstruation with a dread that the young girl does not yet appreciate the significance of. It's a beautifully photographed vicious circle, with the emphasis on vicious. There are attempts at government interventions, local troops stationed and helicopters depositing toxins on the flowers, but the thrust here from director Tatiana Huezo is of a cycle of depressing and dangerous inevitability that it is difficult to see a way out of. The three young actors perform evocatively here offering us quite emotional and poignant characterisations. They are not simply going to give up - but it's not that simple. Harrowing, yes, but it's clearly been written and presented offering hope for the girls and to raise some awareness of the fact that as long as the West keeps buying the stuff, these people will live in a modern day slavery that turns your stomach.

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