FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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ラブ・フィールド
ラブ・フィールド

ラブ・フィールド

19921h 42m★ 6.0ドラマロマンス

あらすじ

No synopsis available.

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キャスト

ミシェル・ファイファー
ミシェル・ファイファー
Lurene Hallett
Dennis Haysbert
Dennis Haysbert
Paul Cater
Stephanie McFadden
Stephanie McFadden
Jonell
Brian Kerwin
Brian Kerwin
Ray Hallett
Louise Latham
Louise Latham
Mrs. Enright
Peggy Rea
Peggy Rea
Mrs. Heisenbuttel
Beth Grant
Beth Grant
Hazel
Johnny Ray McGhee
Johnny Ray McGhee
Mechanic
Cooper Huckabee
Cooper Huckabee
Deputy Swinson
Troy Evans
Troy Evans
Lt. Galvan

スタッフ・制作会社

監督: Jonathan Kaplan

脚本: Don Roos

音楽: ジェリー・ゴールドスミス

制作: Sarah Pillsbury / Midge Sanford / Kate Guinzburg

撮影監督: Ralf D. Bode

制作会社: Orion Pictures / Sanford/Pillsbury Productions / Via Rosa Productions

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

I know this is all set around the assassination of President Kennedy, but every time I saw Michelle Pfeiffer here I just thought of Marilyn Monroe! Anyway, she’s the contentedly married “Lurene” who tells husband “Ray” (Brian Kerwin) that she’s a mind to attend the President’s funeral. “Yeah, right”, thinks he and goes to bed. She, on the other hand, is quite serious so shoves some stuff in a suitcase and gets the Greyhound bus towards DC. It’s quite a schlep from their Dallas home, but on the bus she befriends - whether he likes it or not - “Paul” (Dennis Haysbert) and his shy young daughter “Jonell” (Stephanie McFadden). She quite quickly senses that all isn’t quite right here, but given they are African Americans there are additional concerns she ought to be wary of before she goes an-interfering. She’s a good-natured soul, though, and soon we learn a little of what’s going on just as things start to come to an head that has them holing up trying to avoid the police and her pursuing husband! The confined space of the bus helps this a little and Pfeiffer delivers quite engagingly, but there’s a real paucity of story. It plays to the prejudices of the time, especially those exacerbated by the murder of JFK that caused heightened tensions, but unlike the bus, it doesn’t really go anywhere. There’s a light humour amidst the rather wordy dialogue and the young McFadden acquits herself quite well, but Haysbert adds little with a role that could have been more potently presented. It all somewhat disappointingly peters out, I’m afraid.

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