Summer of 85
"あの夏の君を、心に刻んだ"
Trailer
Overview
フランス映画界の名匠フランソワ・オゾンが、若かりし日に読み影響を受けたというエイダン・チェンバーズの小説「おれの墓で踊れ」を映画化し、16歳と18歳の少年の人生を変えた、ひと夏の初恋を描く。セーリングを楽しもうとヨットで沖に出た16歳のアレックスは突然の嵐に見舞われ転覆し、18歳のダヴィドに救出される。2人は友情を深め、それはやがて恋愛感情へと発展し、アレックスにとっては、それは初めての恋となった。そんな2人は、ダヴィドの提案で「どちらかが先に死んだら、残された方はその墓の上で踊る」という誓いを立てるが、ダヴィドの不慮の事故により、2人の時間は終わりを迎える。生きる希望を失ったアレックスを突き動かしたのは、ダヴィドとあの夜に交わした誓いだった。主演は、オゾン監督がオーディションで見いだしたフェリックス・ルフェーブルとバンジャマン・ボワザン。第73回カンヌ国際映画祭オフィシャルセレクション選出作品。
製作費: $6,900,000 (10億円)
興行収入: $3,600,000 (5億円)
純利益: $-3,300,000 (-5億円)
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TMDB ユーザーの口コミ
Francois Ozon's 'Summer of 85' is a bittersweet film, one that ultimately encourages its audience to embrace the joy and the heartache of first love, along with the ephemerality of having a life-changing presence in your life. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-summer-of-85-a-refreshingly-nuanced-coming-of-age-story
Félix Lefebvre (who reminded me, here, of a young Charlie Hunnam in "Queer as Folk" (1999)) is sixteen year old "Alex" who takes his friend's dinghy out for a sail and gets caught in a thunderstorm that capsizes his boat. Luckily for him, Benjamin Voisin ("David") is nearby and tows him ashore and into his mother's recuperative bathtub! The next six weeks are now depicted in a cleverly interwoven mix of current and recent storylines as we realise that a tragedy has occurred and that the two young men had something of a relationship during the intervening period. On the face of it - it's just a gay coming of age drama, but Levebvre has an intensity and innocence about him. His performance as the young man who falls so completely and utterly in love is heart-rending, sincere and stylishly captured by the photography - and must remind all of us of that first, inexplicable, "love" that we may well still recall to this day. To be fair, it is easy to see why he fell for the charismatic, exciting "David" - who offers him profound changes to his life, and to the rather linear options that most of us faced at 16 - job or school - but the story is more nuanced than that and though it is certainly not without some fairly substantial holes and inconsistencies, it sort of works. The Cure's "In Between Days" and an oddly effective "Sailing" from Rod Stewart provide a remarkably potent soundtrack that resonates not just the moment, but the sentiment too. Not, maybe, Ozon's finest work but I suspect we may see more roles from his young star in the future.
