FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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ブリキの太鼓
ブリキの太鼓

ブリキの太鼓

19792h 42m★ 7.0ドラマ履歴戦争

あらすじ

ポーランドのダンチッヒを舞台に、3歳で自らの成長を止めた少年オスカルの視点で、1927年から1945年の激動の時代を描いた異色の大力作。ブリキの太鼓を叩き、奇声を発しガラスを割るという不思議な力も身につけたオスカル、従兄との不倫を続ける母、臆病者の父、画面は時代が産んだ奇異なキャラクターとグロテスクな描写に溢れ、その毒気たるや凄まじいばかりのものである。

作品考察・見どころ

本作の圧倒的な魅力は、三歳で成長を止める少年オスカルを演じるダヴィット・ベネントの、異様なまでの眼力と存在感にあります。醜悪な大人たちの世界を射抜く彼の視線と、ガラスを粉砕する「叫び」の演出は、狂信的な社会への剥き出しの拒絶を象徴しており、観る者の倫理観を激しく揺さぶります。 映像表現において特筆すべきは、祝祭と腐敗が同居する映像美と、鳴り止まない太鼓の音が織りなす生理的な緊張感です。無垢な仮面を被り、文明の崩壊を独自の美学で凝視し続ける姿は、鑑賞者に「真の正気とは何か」を問いかけます。歴史の荒波を肉体的な抵抗として描き切った、映画史に刻まれるべき鮮烈な傑作です。

興行成績

製作費: $3,000,000 (5億円)

興行収入: $17,000,000 (26億円)

推定収支: $14,000,000 (21億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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予告・トレイラー

キャスト

マリオ・アドルフ
マリオ・アドルフ
Alfred Matzerath
アンゲラ・ヴィンクラー
アンゲラ・ヴィンクラー
Agnes Matzerath
David Bennent
David Bennent
Oskar Matzerath
Katharina Thalbach
Katharina Thalbach
Maria Matzerath
Daniel Olbrychski
Daniel Olbrychski
Jan Bronski
Tina Engel
Tina Engel
Young Anna Koljaiczek
Berta Drews
Berta Drews
Anna Koljaiczek
No Image
Roland Teubner
Joseph Koljaiczek
No Image
Tadeusz Kunikowski
Uncle Vinzenz
Andréa Ferréol
Andréa Ferréol
Lina Greff

スタッフ・制作会社

監督: Volker Schlöndorff

脚本: Jean-Claude Carrière / Günter Grass / Volker Schlöndorff

音楽: モーリス・ジャール

制作: Anatole Dauman / Franz Seitz Junior / Eberhard Junkersdorf

撮影監督: Igor Luther

制作会社: Jadran Film / Artemis Film / Franz Seitz Filmproduktion / Argos films / Hallelujah Films / GGB-14 / Neue Bioskop Film / Auditrust / Taurus Film

TMDB ユーザーのレビュー

MoHA
MoHA

A smart movie powered by David Bennent's performance Oskar is a young man in World War II Germany who refuses to grow up when he was three years old. He deliberately let himself fall on a stair to injure himself and stop his growth. Oskar's refusal to grow and release his tin drum is an obvious metaphor about refusing the Nazi regime. This is made more obvious since he finally decided to grow and let go of his drum after the Nazi's defeat. The Tin Drum is based on a celebrated novel by German author Gunter Grass. Director Volker Schlöndorff brings it to life with profound elegance and intellectual humor. Made in 1979, in the middle of the German film renaissance, The Tin Drum pokes fun at the Nazi regime and at the same time presents an unforgettable and often hilarious story. The movie begins in the late 19th century when Oskar's grandmother helps his grandfather to escape German soldiers by letting him hide under her skirt. It is also where Oskar's mother Agnes (Angela Winkler) is conceived. Agnes grows up during the First World War and marries a man named Alfred Matzerath (Mario Adorf). She begins to have an affair with her cousin Jan Bronski, while Oskar slowly becomes aware of their relationship. David Bennent's performance as Oskar is simply amazing. He was about 12 years old at the time, and he plays Oskar from childhood to his 20s. Although Oskar's physical appearance never changes. We can see his aging process through Bennent's performance. Oskar's movement changes; he begins to become more mature and discover the world around him. Bennent plays the character with an impressive level of believability and intellectual maturity. The Tin Drum reminded me of one of my favorite movies-Forrest Gump. Both movies have central characters that are physically and mentally disabled, and both manage to have an interesting journey life. Both movies pass through an important historical event, with both heroes getting involved. The Tin Drum is not quite in the same league as Forrest Gump, but it still amazed and captivated me from beginning to end. The Tin Drum contains some really grotesque scenes. One scene in particular is when they show a fisherman using a dead horse's head as bait for eels. The fisherman removes the eels one by one from the horse's head, while Agnes vomits in disgust. To balance it out, the movie also contains moments of pure joy. I love the sequence where Oskar's drumming influences a band to change their music form a German march to Strauss' The Blue Danube. A Nazi officer screams in disgust, while the crowd joins together and dances. I enjoy watching intelligent satires. I laughed out loud a lot of times in this movie and I relished its lush story. The movie deals with many things, including warfare, adultery, and religion. It may be a little too long for some people at 140 minutes, but for me, no good movie is too long. The Tin Drum contains astonishing images powered by remarkable acting.

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