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Seven Thieves
Seven Thieves

Seven Thieves

19601h 42m★ 6.6犯罪スリラー

あらすじ

No synopsis available.

予告・トレイラー

スタッフ・制作会社

監督: Henry Hathaway

脚本: Max Catto / Sydney Boehm

音楽: Dominic Frontiere

制作: Sydney Boehm

撮影監督: Sam Leavitt

制作会社: 20th Century Fox

口コミ

あなたの評価を記録する

キャスト

Edward G. Robinson
Edward G. Robinson
Theo Wilkins
ロッド・スタイガー
ロッド・スタイガー
Paul Mason
ジョーン・コリンズ
ジョーン・コリンズ
Melanie
Eli Wallach
Eli Wallach
Poncho
Alexander Scourby
Alexander Scourby
Raymond Le May
Michael Dante
Michael Dante
Louis Antonizzi
Berry Kroeger
Berry Kroeger
Hugo Baumer
セバスチャン・キャボット
セバスチャン・キャボット
Casino Director
Marcel Hillaire
Marcel Hillaire
Duc di Salins
John Beradino
John Beradino
Chief of Detectives

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Try as I might, I still don't understand why Joan Collins ever made it in Hollywood. She has all the natural acting talent of a lettuce, and here she struggles to even manage that. Luckily, however, there are better actors on hand for this quirky heist drama and they manage to deliver something just a bit different. Former professor 'Wilkins' (Edward G. Robinson) has invited the recently released 'Paul' (Rod Steiger) to Monte Carlo. Their meeting au bord de la mer quickly establishes that they have some sort of past and that neither have a franc to their name. 'Wilkins' has a daring plan to rectify that, and so with the help of a fairly disparate gang including 'Melanie' (Collins), 'Raymond' (Alexander Scourby), safe-man 'Dante' (Louis Antonizzi) and the erascible 'Poncho' (Eli Wallach) they plan to infiltrate the Casino and relieve it of the equivalent of $4 millions. Their plan isn't without risks - especially for 'Poncho', but with all of them in need of the cash they embark on quite a complex attack on the place without, hopefully, having to use any weapons or violence and by leaving in.. an ambulance! Of course, as with most films about robberies, it's never the planning that goes wrong, but what chance the execution and their subsequent escape can happen without casualty? For me, it's Robinson who steals the show here as his characterisation of the elderly and disgraced scientist has you firmly in his corner - even if we never quite discover what he did to earn his derision, and I thought he worked well with both a Steiger who quite tautly underplays his role and from the on-form Wallach whose depiction of the permanently anxious 'Poncho' is really quite effective. The entertainingly fitting conclusion comes from a left-field that I certainly wasn't expecting, and this benefits from it's stylish and classy monochrome photography as the tension mounts and the nerves start to tingle.

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