“運命に打ち勝て”
９世紀のスカンジナビア地域。小国の若き王子アムレートは、叔父のフィヨルニルによって父オーヴァンディル王を殺され、母であるグートルン王妃を連れ去られてしまう。たった一人逃げ延びた彼は、母の救出とオーヴァンディルへの復讐を心に誓う。数年後、各地で略奪を繰り返す獰猛なヴァイキングの一員となっていたアムレートは、フィヨルニルがアイスランドで農場を営んでいることを知ると、自ら奴隷に変装し、フィヨルニルの農場に潜り込むのだったが…。
製作費: $70,000,000 (105億円)
興行収入: $69,633,110 (104億円)
推定収支: $-366,890 (-1億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Robert Eggers
脚本: Sjón / Robert Eggers / Saxo Grammaticus
音楽: Sebastian Gainsborough / Robin Carolan
制作: Robert Eggers / Leifur B. Dagfinnsson / アレクサンダー・スカルスガルド
撮影監督: Jarin Blaschke
制作会社: Regency Enterprises / New Regency Pictures / Square Peg / Focus Features
First things first - there is virtually nothing original with the plot here. A young prince "Amleth" (Oscar Novak who later morphs into an effective Alexander Skarsgård) witnesses the murder of his father "King Aurvandil" (Ethan Hawke) and the capture of his mother "Gudrún" (Nicole Kidman) by his treacherous uncle "Fjölnir" (Claes Bang). Lucky to escape with his life, he escapes to the land of the Rus where he is soon a capable and powerful warrior. When he learns that the traitor was, himself, deposed and now lives in the inhospitable Iceland, he decides to impersonate one of a group of slaves being sent to his farm so as to wreak his revenge. There are a few twists to the otherwise largely predictable plot - he meets the enigmatic "Olga" (Anya Taylor-Joy) and comes into possession of a deadly sword that can only be drawn at night; but what really makes this stand out is the gritty, dark and enthralling production. The headlines actors actually feature pretty sparingly, though we get a little more Kidman towards the end, and that's no bad thing. It leaves us to enjoy a storyline that draws heavily on the compelling Norse mythology. Not just of Odin, Freya, Valhallah and the like, but of the whole cult of nature; of animalistic behaviour amongst man and beast alike. It draws on a symbiotic relationship with the environment that tests the faith of pagan and Christian alike. It is brutal, but somehow not gratuitous. That's how man treated man; women were little better than breeding chattels and children were even further down the food chain. Robert Eggers has put much more meat on the bones than almost any similar depiction from this hugely rich and enthralling vein of mythology that mixes fact, fiction, fantasy, mysticism and fear very well. It's 2¼ of well paced adventure that looks stunning on a big screen and is well worth a watch there before it loses much of it's grand scale potency on a telly.
It took me a little while to get into it, but by its conclusion <em>'The Northman'</em> had fully entertained me. Great film! First and foremost, I'm delighted that I did indeed enjoy this film as my only previous experience of director Robert Eggers was the - in my opinion, and apparently my opinion only! - severely unsatisfying <em>'<a href="https://letterboxd.com/film/the-lighthouse-2019/" rel="nofollow">The Lighthouse</a>'</em>. It's unmistakable that this 2022 flick is made by the same person, but happily the outcome is far greater. The cast are top notch. Alexander Skarsgård and Anya Taylor-Joy are the two standouts, the latter of which is doing big things lately; she is excellent in the most recent season of television show <em>'Peaky Blinders'</em>, fwiw. Claes Bang, Ethan Hawke and Nicole Kidman are all very good. Willem Dafoe too, naturally. The story is super absorbing, even early on when I was a tad unsure I was still very invested in what was happening onscreen. The dialogue is a big reason for that, as is the thumping score. At times it can feel like it might become too talky and full of itself in regards to its own mythology and all that, though thankfully it never strays into those realms. It also delivers plenty of action, alongside some good ol' violence as well - the ending is quality in that regard, among other reasons too. Go watch!
_The Northman_ is a bloody and ferocious battle cry of a revenge film. The action is brutal and the performances are extraordinary. This is Robert Eggers at his most savage and masterful. Full review: https://boundingintocomics.com/2022/04/25/the-northman-review-a-gory-viking-epic-forged-in-boisterous-greatness/
I was expecting more from this movie, but it turned out to be a big disappointment. First of all Vikings in this movie were represented more like an animals, acting like a rabid animals rather than humans and Vikings we have seen in popular TV shows, but the reason why I'm giving such a low score to this movie is simple - boredom. Character development was poor. I didn't care for any of them. Story was a typical vengeance story, nothing special or unique and the movie itself was very slow, lacking action and I almost fell a sleep. At first it seemed a realistic movie, but then they started putting supernatural things, so it wasn't realistic, but wasn't a typical unrealistic movie (like Marvel and DC) either. It was just a poor attempt of mixed jumble. It's sad to see such a great actors wasted in this boring movie, but even they couldn't save it if script was so poorly written and executed.
It's was a terrible movie
