“忘れていた大切なものにきっと出会える”
母親を亡くし、心に傷を抱えた少女ビー。彼女はある日、“子供にしか見えない不思議な存在”のブルーに出会う。ブルーが友達だった子供はもう大人になって彼のことを忘れてしまい、このまま新しいパートナーがいないとブルーは消えてしまう運命に…。少女はブルーを救えるパートナーを見つけることが出来るのか？
製作費: $110,000,000 (165億円)
興行収入: $190,309,707 (285億円)
推定収支: $80,309,707 (120億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ジョン・クラシンスキー
脚本: ジョン・クラシンスキー
音楽: マイケル・ジアッチーノ
制作: Allyson Seeger / アンドルー・フォーム / ライアン・レイノルズ
撮影監督: ヤヌス・カミンスキー
制作会社: Paramount Pictures / Sunday Night Productions / Maximum Effort
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/if-review-a-heartwarming-blend-of-animation-and-live-action-that-surpasses-expectations/ "IF is a delightful surprise that exceeds personal expectations. The skillful blend of 3D animation and live-action brings creativity to a layered, profoundly moving narrative, which explores sensitive themes in a truly genuine, reflective manner while successfully conveying a crucial message about the importance of never forgetting the child within us. Cailey Fleming delivers the best young performance of the year, further enhancing the already highly emotional story, much like Michael Giacchino’s lovely score. As a writer-director, John Krasinski once again demonstrates his innate talent by creating a movie all families can enjoy and cry together. It will linger in the audience’s memory for a long time." Rating: A-
"Bea" (Cailey Fleming) arrives to stay with her grandmother (Fiona Shaw) so she can be near her father (John Krasinski) who is having cancer treatment at a nearby hospital. It's a fairly traumatic time for everyone, but it also becomes quite puzzling for the youngster when she encounters "Blosson", "Blue" (who's actually purple) and their handler "Cal" (Ryan Reynolds) living in the apartment upstairs. She quickly discovers what an "IF" is, and is introduced to loads of them, now adrift in a world where their original partners have grown up and forgotten them. "Cal" and his friends are trying to re-home these friendly and creative critters, and so "Bea" takes an hand helping out. Their first target for a new friend is the friendly "Benjamin". He's a patient in the same hospital as her dad, prone to breaking his bones and though outwardly cheery and good-natured, cuts a rather lonely sight in his room. As the story continues we begin to suspect that it's not just him that needs an "IF". Sure, it's derivative at times, but there's an engaging effort from the young Fleming and the sparing use of the colourful and well integrated visual effects along with some cheery scripting and a few amiable supporting characters that could easily inhabit any toy-box (I liked the bear and the tasting marshmallow) wired well. Also, Reynolds takes enough of a back seat not to impose his presence too firmly on the proceedings. It's an amiable story about family, loneliness and growing up that encourages folks to use and enjoy their imagination. I wasn't really expecting to, but I did quite enjoy this.
"If" is a whimsical and heartwarming film directed by John Krasinski. Starring an ensemble cast including Ryan Reynolds, Phoebe Waller-Bridge, and Fiona Shaw, the movie takes viewers on a fantastical journey into the world of imagination. Krasinski's direction brings a perfect blend of humor, charm, and emotional depth, making it a delightful watch for audiences of all ages. The narrative is both engaging and thought-provoking, exploring themes of childhood wonder and the power of belief. With its stellar performances and enchanting story, "If" is a cinematic treat that leaves a lasting impression.
"What if I told you imaginary friends are real? And when they're kids grow up, they're forgotten." An "If" is the imaginary friend a child has when they are young. It is a comfort and a companion to get them through the growing up years. But where does the imaginary friend go when it is used up. Apparently, the word "imaginary" needs to be changed. Bea, played by Cailey Fleming, is a 12 year old girl who lost her mom at a young age. Now her father (John Krasinski) is sick too. Bea moves in with her grandmother to stay near the hospital. Soon she starts seeing everyone's former Imaginary Friends. She is guided by Ryan Reynolds. They are sad and need to be reunited with their formers. Some of those "friends" are pretty creepy. The film, written and directed by Krasinski, aims to be kind of like a live action "Monsters, Inc". It's really an idea that can only work in animation since it takes out that sense of reality that makes it look too silly. The plot just seems like an idea that has difficulty finding a believable footing. It might work for young kids, for me it just seems forced and overly sentimental. It's easy to watch since Krasinski obviously handled it with care, and Reynolds seems to enjoy his role. But for me that just isn't enough.
IF promised an intriguing premise but unfortunately fell short of delivering a compelling narrative. The film heavily relies on celebrity cameos, which, overshadow the story's substance. This overreliance on star power creates a superficial experience that fails to engage the audience meaningfully. The movie attempts to pull on the heartstrings of the audience, but it does so without a satisfying payoff. Emotional scenes feel forced and unearned, lacking the depth necessary to make a lasting impact. The narrative structure is weak. The pacing is uneven, jumping from one celebrity cameo to another without allowing the plot to develop naturally. This results in a fragmented viewing experience that leaves the audience struggling to connect with the characters. The film's attempt to evoke emotion through its storyline falls flat because it doesn’t give enough attention to character development. We see glimpses of potentially interesting backstories, but they are never fully explored. A scene involving a character’s past trauma is introduced but quickly abandoned, leaving the audience with unanswered questions and a sense of incompleteness. Overall, IF is a movie that misses the mark. Its reliance on celebrity cameos and superficial emotional appeals results in a lackluster film. To improve, the filmmakers should have focused more on developing a strong, cohesive narrative that allows the characters' stories to resonate deeply with the audience. Without this foundation, the film feels hollow and fails to leave a lasting impression.
