“クリスマスの名作が愉快なミュージカルに。”
想像してみて下さい。クリスマスイブ、4人の幽霊が強欲でケチなスクルージの前に現れる...そんなお馴染みチャールズ・ディケンズの心温まる物語が、もっと笑えたら？ それだけじゃない、ウィル・フェレル、ライアン・レイノルズ、オクタヴィア・スペンサーが出演、しかもミュージカルだったら？とりあえず、予告編を観ることにしましょう。
製作費: $75,000,000 (113億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Sean Anders
脚本: Charles Dickens / Sean Anders / John Morris
音楽: Dominic Lewis
制作: George Dewey / ジェシカ・エルバウム / David Koplan
撮影監督: Kramer Morgenthau
制作会社: Maximum Effort / Gloria Sanchez Productions / Two Grown Men / Apple Studios
Wow, but this is all over the place. Based very loosely on the Dickens' character from his "A Christmas Carol" story, Will Ferrell is the Ghost of Christmas Present who now works for "Jacob Marley" (Patrick Page) trying to save irredeemable souls from purgatory. This is where Ryan Reynolds comes in. He is "Clint" - a successful influencer who is about as ruthless for his clients as it possible to be. "Present" concludes that if he can save him, then he can make a real difference to the future (despite the fact that he appears, already, to have rescued Dolly Parton!). Anyway, this is where the story gets a little more interesting. Rather than cowering in fear at his apparitions, "Clint" decides to turn the tables a bit and before we know it, he is challenging his protagonist to justify what he is doing and why. Unfortunately, though - and despite the presence of the usually reliable Octavia Spencer - the whole thing just peters out all too quickly with some predictably slapstick humour and a few rather dull piano/guitar ballads from an out-of-sorts Messrs. Pasek and Paul that have some potent lyrics now and again, but those are largely overwhelmed by the fact that Reynolds cannot sing and Ferrell fares only slightly better on that front too. It also has no idea how to end, so it has three or four goes by which time I was a bit bored by it all. It's been quite a while since I noticed people leaving a cinema screening, but quite a few abandoned this. Nothing beats the Albert Finney/Leslie Bricusse "Scrooge" (1970) for me, and though this iteration of the timeless story might work better on stage - much of it is very theatrically stylised in nature (especially the dance numbers) - I am just going to stick with that.
MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2022-edition/ "Spirited efficiently applies a Christmas formula. Harnessing the undeniable, palpable chemistry between Ryan Reynolds and Will Ferrell, along with original holiday tunes filled with the typical humor from the actors, Sean Anders delivers a musical entertaining enough to entertain the average spectator. Not all the songs succeed, nor their timing in the story is always the right one, and the generic narrative doesn't exactly help with the surprise factor. Still, I'm happy enough with the essential message that people can, in fact, change for the better." Rating: B-
I can’t believe it took me **three** years to finally complete the intent of watching **this**! 😆🥹😝🤧😄🤩😍🥰😊 I’m _[1]_ so glad I did and _[2]_ kicking myself for taking so long! Then again, it might actually seem like starting in 2022 December and finishing in 2025 December is exactly the minimal temporal shift necessary (in _this_ timeline 😉) to really appreciate the ‘miraculously’ _[i.e., talent, hard work, heart, love, care, heartbreak, hope, persistence, living, appreciation, generosity, … etc. ad infinitum]_ truly-human storied-narrative that even the divine would approve as one of the many things to finally define the best of humanity — something all the universe would want for us (as well as any sentient intelligence that seeks the nature of immersing within all that is light’s brilliance). Perhaps, _just in time_ to … ?
