FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
© 2026 Bennu Inc.TMDB Logo

本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

悪魔のいけにえ -レザーフェイス・リターンズ-
悪魔のいけにえ -レザーフェイス・リターンズ-

悪魔のいけにえ -レザーフェイス・リターンズ-

20221h 23m★ 5.2ホラー犯罪ドラマ

あらすじ

テキサスのゴーストタウンを再生しようとする若者たち。人皮のマスクをつけた殺人鬼、レザーフェイスが町に潜むとも知らずに...。血の惨劇が、再び幕を開ける。

作品考察・見どころ

伝説的傑作のDNAを継承しつつ、現代的な暴力の極致を突きつける本作の魅力は、何といっても容赦のない「静と動」の演出にあります。レザーフェイスという逃れられぬ悪夢が、凄まじい身体能力と重厚なチェーンソーの咆哮と共に再臨する姿は、観客の五感を震わせる圧倒的な映画的快楽に満ちています。 特に注目すべきは、SNSや都市開発に象徴される現代文化の軽薄さと、テキサスの荒野に澱のように残る血塗られた因習が真っ向から衝突する皮肉な構造です。画面を埋め尽くす鮮血と絶望のなかで、トラウマを抱えた者たちが対峙する宿命の瞬間。それは単なるスプラッターを超え、逃げ場のない現代社会の歪みを鋭く告発する、あまりにも残酷で美しい映像体験なのです。

興行成績

製作費: $20,000,000 (30億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

あなたの評価を記録する

Netflix
Netflix Standard with Ads

予告・トレイラー

配信サービス

サブスクリプション

Netflix
Netflix Standard with Ads

キャスト

Sarah Yarkin
Sarah Yarkin
Melody
エルシー・フィッシャー
エルシー・フィッシャー
Lila
Mark Burnham
Mark Burnham
Leatherface
Jacob Latimore
Jacob Latimore
Dante
Moe Dunford
Moe Dunford
Richter
Olwen Fouéré
Olwen Fouéré
Sally Hardesty
Jessica Allain
Jessica Allain
Catherine
Nell Hudson
Nell Hudson
Ruth
アリス・クリーグ
アリス・クリーグ
Mrs. Mc.
ウィリアム・ホープ
ウィリアム・ホープ
Sheriff

スタッフ・制作会社

監督: David Blue Garcia

脚本: Alexei Tylevich / ロド・サヤゲス / フェデ・アルバレス

音楽: コリン・ステットソン

制作: Shintaro Shimosawa / フェデ・アルバレス / ロド・サヤゲス

撮影監督: Ricardo Diaz

制作会社: Legendary Pictures / Bad Hombre / Exurbia Films / Good Universe

TMDB ユーザーのレビュー

Yassine Essahli
Yassine Essahli
★ 1

What's this sh*****t? Where's the logic in this? **I don't recommend it just waste time**.

Chris Sawin
Chris Sawin
★ 4

The problem now is that the successful film formula revolves around nostalgia, rehashing familiar sequences and storylines, and bringing back survivors for one final confrontation. This has all proven to crush the box office, especially during the pandemic. This results in there being no originality or creativity anymore; it’s just a repetition of what we’ve already seen. Until Leatherface can get a fresh face to wear, the _Texas Chainsaw Massacre_ franchise is doomed to run in circles with a sputtering chainsaw on a mostly deserted road no one wants to travel down. **Full review:** https://hubpages.com/entertainment/Texas-Chainsaw-Massacre-2022-Review-Tearing-the-Face-Off-of-a-Horror-Franchise

L.E.R.E
L.E.R.E
★ 5

Texas Chainsaw Massacre (2022) is a film I was looking forward to for a while, although I wasn't sure why. I had been very disappointed in the last couple additions to the TCM franchise, so I knew it was very likely that it would not be any different with this one. I watched the film the day it came out, and received exactly what I expected, I didn't like it. I liked it more than I expected, yes, but still not enough. The acting was lacking, the premise was stupid, and it killed off the beloved legacy character in the most insulting way possible. The only redeeming aspects of the movie are the nice-looking cinematography and the amazing gore. However, I am looking forward to seeing the next one, and I have no idea why. 3.5/5.

tmdb28039023
tmdb28039023
★ 1

The original The Texas Chainsaw Massacre actually predated the original Halloween by four years, but now it’s the former’s turn to follow in the footsteps of the latter, resulting in a case of the blind leading the blind. This new Texas Chainsaw Massacre takes its cues from the recent Halloween and Halloween Kills, going as far as dusting off the franchise’s original Final Girl – the character, that is; Marilyn Burns, the actress who played the first Sally Hardesty, died in 2014, and she certainly is in a better place now (i.e., not in this movie). Generally speaking, though, the only thing that separates this from pretty much every slasher film ever made is that, instead of the usual Dead Teenager Movie, Massacre ‘22 may very well be the first-ever Dead Millennial Movie. Speaking of which the kills, which have the power to save even the most generic and derivative of horror sequels, are another disappointment; only the first one, involving a very creative use of the bone shard sticking out of a compound fracture, shows any ingenuity. The best thing that can be said of this uninspired effort is that it’s short (shorter still considering that about 10 of its 81 minutes are devoted to the closing credits); then again, any movie is bound to be brief that lacks a proper conclusion – and I’m not referring to the fact that when Sally, who has been hunting Leatherface down “for more than 30, 40 years”, finally has him cornered, she apparently decides, all of a sudden, that after having waited multiple decades for this moment, she might as well wait a bit longer; after all, what’s another five more minutes between old friends? This is excruciatingly stupid, but if the movie ended there it wouldn't be any more unsatisfying than the actual ending. And the worst that can be said of TCM ‘22 is that it has the gall to draw a parallel between the titular chainsaw massacre and a high school shooting (“Stonebrook High”, which sounds very uncomfortably like Stoneman Douglas High School), as if a dumb movie that deals in gratuitous violence and doesn’t even have the decency to provide a cathartic resolution could ever find a way to connect emotionally to the victims of a real-life massacre. This is low, even by exploitation cinema’s sub-standards.

Robbie Grawey
Robbie Grawey

Found out that Elsie Fisher and I were born exactly one year apart, weird. Cool movie though!

おすすめの作品