FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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アオラレ
アオラレ

アオラレ

20201h 30m★ 6.4アクションスリラーホラー

あらすじ

ラッセル・クロウがささいな運転マナーに腹を立て、ヒロインをどこまでも追い詰めていく狂気のあおり運転男を怪演するノンストップ・サスペンス・アクション。共演はカレン・ピストリアス、ガブリエル・ベイトマン。監督はデリック・ボルテ。美容師のレイチェルは息子のカイルを乗せて学校へ向かう途中、渋滞に捕まり苛立ちを募らせる。ちょうどその時、信号が青に変わっても前の車が動き出さず、思わず強めにクラクションを鳴らしてしまう。すると男は車を横付けし、クラクションの鳴らし方に文句をつけ謝罪を要求。しかし不運続きでイライラMAXのレイチェルは猛然と言い返してそのまま車を走らせる。その後カイルを学校に送り届けたレイチェルは、さっきの男がなおも後を尾けてきていることに気づくのだったが…。

作品考察・見どころ

本作の魅力は、ラッセル・クロウという至高の役者が体現する「底なしの狂気」にあります。巨体から放たれる威圧感と執拗な追跡は、単なる悪役の域を超え、現代社会の歪んだ怒りそのものを擬人化したかのような絶望感を突きつけます。彼の怪演が、ありふれた日常を一瞬で逃げ場のない戦慄の舞台へと変貌させるのです。 作品が描くのは、極限までストレスを溜めた現代人の危うさです。些細な不作法が引き金となり、凄惨な破滅へと加速していく演出は、車という密室社会が生む匿名性の恐怖を鮮烈に浮き彫りにします。誰もが当事者になり得るというリアリティが観客の心臓を掴んで離さない、まさに現代社会の闇を射抜いた一級のスリラーと言えるでしょう。

興行成績

製作費: $33,000,000 (50億円)

興行収入: $39,238,300 (59億円)

推定収支: $6,238,300 (9億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ラッセル・クロウ
ラッセル・クロウ
Man (Tom Cooper)
Caren Pistorius
Caren Pistorius
Rachel Flynn
Gabriel Bateman
Gabriel Bateman
Kyle Flynn
ジミ・シンプソン
ジミ・シンプソン
Andy
Austin P. McKenzie
Austin P. McKenzie
Fred
Juliene Joyner
Juliene Joyner
Mary
Stephen Louis Grush
Stephen Louis Grush
Leo
Anne Leighton
Anne Leighton
Deborah Haskell
マイケル・パパジョン
マイケル・パパジョン
Homer
Lucy Faust
Lucy Faust
Rosie

スタッフ・制作会社

監督: Derrick Borte

脚本: Carl Ellsworth

音楽: David Buckley

制作: Mary C. Russell / Crystal Bourbeau / Guy Botham

撮影監督: ブレンダン・ガルヴィン

制作会社: Solstice Studios / Burek Films / Ingenious Media / Altitude Film Entertainment

TMDB ユーザーのレビュー

garethmb
garethmb

Russell Crowe stars in the new Thriller “Unhinged” and gives an intense performance which has become a staple of his career. Playing a man who has lost it after the loss of his job and marriage, The Man kills his ex and her partner before burning down their home and vanishing into the night. Rachel (Caren Pistorius) is a woman who is seeing her world slowly crumble around her. She is in the midst of a contentious divorce, has just lost her best client, and is struggling to take care of her son while dealing with her brother in financing moving in with her so she can afford to pay for a needed care home for a family member. As one thing after another mounts for Rachel and dealing with heavy traffic as she tries to get her son to school to avoid a detention for being tardy; she honks and makes and aggressive turn in front of the Man. He takes offense to this and drives alongside Rachel and demands a since apology for her actions. Rachel has long since lost any sense of caring and does not provide a sufficient response which further triggers the Man. As some very aggressive road rage follows; Rachel believes she has put it behind her and drops her son off at his school. While filling up her gas tank Rachel sees that the Man is following her and when her efforts to diffuse the situation further trigger the Man she sees just how dangerous and highly unstable individual he is. What follows is a deadly game of cat and mouse as the Man taunts Rachel while exacting his revenge on those in her life all the while preparing for his next encounter with her. Crowe is fantastic and gives a very intense performance without ever going too far over the top and becoming campy with his performance which is often the case in films of this type. He is a compelling adversary who commands the attention of the viewer and one can see that he is an individual who has simply snapped from the pressures and reality of life and believes his actions are justified. While I was able to predict one of the big moments near the end of the film; it was delivered In a slightly different way which was refreshing. The film was intense and compelling and Director Derrick Borte keeps things from become too over the top especially in the last part of the film where Hollywood standards for the genre did tend to come in the play. The film wisely relies on the strength of Crowe and the supporting performances and provides a welcome return to cinematic features for viewers as long as they are willing to overlook some minor things and focus on the intense story and compelling performances. 4 stars out of 5 www.sknr.net

Repo Jack
Repo Jack
★ 5

Russell Crowe dials up his inner Rutger Hauer ("The Hitcher) and Michael Douglas ("Falling Down") to reap terror on a boy and his mom who don't give him a courtesy honk. Skip this "meh" road rage thriller and check out the aforementioned titles instead.

Manuel São Bento
Manuel São Bento
★ 6

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Boasting a ferociously captivating Russell Crowe as an absolutely lunatic driver, Derrick Borte delivers a purposefully exaggerated premise based on something that occurs every day to pretty much everyone. The rated-R action is surprising in its amount of gore and unrestraint in murdering every character in the most shocking yet incredibly entertaining fashion. However, Carl Ellsworth's screenplay lacks character depth, leaving the viewer with barely any knowledge of anything remotely relevant about the protagonists besides basic relationships, which are merely used as plot devices to more bloody killing. The narrative goes through hard-to-believe developments, and the ending still possesses the cliche "dumb protagonist's decision that no sane person would ever think about". Still, I defend that its main narrative is closer to reality than fiction, especially the first two acts. In the end, my main issue might actually be that Caren Pistorius' character was indeed guilty of the event that propelled everything. She demonstrated arrogance, selfishness, and the inability to simply apologize to someone who was initially polite. That, to me, it's her biggest sin and the reason why I couldn't care less about what happened to her or her family. Rating: B-

tmdb15435519
tmdb15435519
★ 6

A good cast, including some relatively new actors, lead this edge-of-your-seat thriller about, you guessed it, a man unhinged. Unfortunately, after the first "unhinged" act, this is one of the most predictable films I've ever watched.

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