FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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イージー・ライダー
イージー・ライダー

イージー・ライダー

19691h 35m★ 7.0アドベンチャードラマ
U-NEXT

あらすじ

マリファナ密売で儲けた大金をタンクに隠し、真のアメリカを求めてオートバイで放浪の旅に出る二人のヒッピーを描いたアメリカン・ニュー・シネマの代名詞的作品。元々は馬をバイクに乗り換えた現代の西部劇を目指して創られた作品だが、そこで描き出されたのはドラッグ・カルチャー、余所者への強烈な排他性、そして名ばかりの“自由”という現代のアメリカであった。

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

製作費: $400,000 (1億円)

興行収入: $60,000,000 (90億円)

推定収支: $59,600,000 (89億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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予告・トレイラー

配信サービス

サブスクリプション

U-NEXT

レンタル・購入

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Apple TV Store
Google Play Movies
FOD

キャスト

ピーター・フォンダ
ピーター・フォンダ
Wyatt
デニス・ホッパー
デニス・ホッパー
Billy
ジャック・ニコルソン
ジャック・ニコルソン
George Hanson
No Image
Antonio Mendoza
Jesus
Phil Spector
Phil Spector
Connection
No Image
Mac Mashourian
Bodyguard
Warren Finnerty
Warren Finnerty
Rancher
No Image
Tita Colorado
Rancher's Wife
Luke Askew
Luke Askew
Stranger on Highway
Luana Anders
Luana Anders
Lisa

スタッフ・制作会社

監督: デニス・ホッパー

脚本: ピーター・フォンダ / デニス・ホッパー / Terry Southern

制作: ピーター・フォンダ / Bert Schneider

撮影監督: László Kovács

制作会社: Columbia Pictures / Pando Company Inc. / BBS Productions

TMDB ユーザーのレビュー

Wuchak
Wuchak
★ 9

**_Quest for freedom_** If you can't handle the counterculture movement of the late 60s and early 70s and all that went with it (hippies, drugs, skinny dipping, free sex and communes) I suggest staying away from "Easy Rider." For everyone else, this is an excellent period piece of the late 60s (shot in 1968) that explores the nature of freedom and the quest thereof. Peter Fonda and Dennis Hopper star as Wyatt and Billy, two hippies who travel by choppers from Los Angeles to New Orleans to attend the Mardi Gras. Along the way they experience gorgeous landscapes, a commune, jail, new friends, unexpected enemies, drugs galore and a brothel when they arrive. Jack Nicholson stands out as one of the friends they meet; while the beautiful Karen black & Toni Basil star as two prostitutes in New Orleans. What makes "Easy Rider" great is that it's more than just a road adventure with a modern Western garnish (i.e. Cowboys on motorized "horses"). The film has depth that separates it from the typical biker flicks of that era. It's really about freedom or the lack thereof. Wyatt and Billy certainly have some grasp of freedom - and they desperately pursue it - but they're ironically so shackled by their OWN carnal desires and growing addictions that the most they attain is a piece of it. Wyatt laments near the end of the film: "We blew it; we really blew it" as he realizes freedom has slipped through their fingers like water. Nicholson's character, George, has more of handle on what's going on, but he obviously has his own issues. The hippies at the commune seem to have escaped society's shackles but to what end? There's a reason communes never really caught on in America, and the film shows why. In an interview with Rolling Stone in the early 70s, Fonda pointed out that Wyatt represented everybody who feels that freedom can be bought, that you can find freedom through other things, like riding motorcycles across the country or smoking pot. He confessed that "Easy Rider" is actually about the LACK of freedom in modern Western Civilization. Wyatt and Billy are not right, they're wrong. So the most fitting thing the writers (Fonda & Hopper) could do in the end was... (I can't give away the climax). In a sense, they were committing self-destruction, which Fonda claimed America was doing. He said viewers often respond to the end by lamenting, "Look at those terrible rednecks, blah, blah, blah." But "Easy Rider," he pointed out, is a Southern term for a prostitute's man, not a pimp, but the dude who lives with her. He's got the easy ride. And that's what he claims happened to America - liberty's become a prostitute, and we're all taking the easy ride. So what's the answer? The answer's there and it's pretty clear, but I won't hand-feed it to anyone. Seek and you will find. This might give you some food for thought the next time you catch the film. Some modern viewers with ADHD criticize the film as boring, but I find it strangely engrossing from beginning to end. The climax is equal parts sudden, powerful, shocking and unforgettable. The film runs 1 hour, 35 minutes, and was shot in California, Arizona, New Mexico, Utah (Monument Valley) and Louisiana. GRADE: A

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