FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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In from the Side
In from the Side

In from the Side

20222h 14m★ 6.7ドラマロマンス

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

興行収入: $52,885 (0億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

スタッフ・制作会社

監督: Matt Carter

脚本: Matt Carter / Adam Silver

音楽: Matt Carter

制作: Matt Carter / Andrew Faure / Adam Silver

制作会社: Take a Seat Pictures

口コミ

あなたの評価を記録する

キャスト

Alexander Lincoln
Alexander Lincoln
Mark
Alexander King
Alexander King
Warren
Peter McPherson
Peter McPherson
John
No Image
Christopher Sherwood
Jimmy
No Image
Ivan Comisso
Carlos
Pearse Egan
Pearse Egan
Pinky
Carl Loughlin
Carl Loughlin
Gareth
Kane Surry
Kane Surry
Oli
Will Hearle
Will Hearle
Henry
Alex Hammond
Alex Hammond
Richard

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

Alexander Lincoln does quite well here as "Mark", a man in a long-term relationship with his frequently absent partner "Richard" (Alex Hammond). He plays rugby for a gay team and after one night on the beer finds himself waking up (yep, of course he has managed to put his Calvin's back on in the middle of their night of passion!) next to "Warren" (Alexander King). The former has an open arrangement - just never the same person twice - but the latter man has secrets to keep and the two decide to leave it as a fun one night stand. Of course, it isn't that simple. Circumstances conspire and, well you can guess the rather messy rest of the plot. It's far too long, and for me anyway, just reinforced too many stereotypes surrounding hormonal guys who just can't keep their pants on. Loyalty to their rugby team seems disproportionately significant to both men - far more than any integrity with their seemingly faithful boyfriends and I found as this rather plodding affair lumbered on for all but 2¼ hours that though very easy on the eye, the characterisations became increasingly flat and uninteresting. Sure, it's great that the acting talent and the subject matter are dramatising homosexuality in a fashion that is not designed just for a gay audience, but the shallowness of their personas - especially the rather odious "Gareth" (a decent effort, too, from Carl Loughlin) just reinforced too many join-the-dot gay attitudes that I found rather underwhelming and just a little disappointing.

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