

水を抱く女
あらすじ
No synopsis available.
作品考察・見どころ
興行成績
興行収入: $1,170,267 (2億円)
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No synopsis available.
興行収入: $1,170,267 (2億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: クリスティアン・ペツォールト
脚本: クリスティアン・ペツォールト
制作: Florian Koerner von Gustorf / Michael Weber
撮影監督: Hans Fromm
制作会社: Schramm Film / Les Films du Losange / ZDF / ARTE / ARTE France Cinéma
Paula Beer is "Undine", holding down a rather mundane job lecturing on the historical urban development of Berlin. She is also suffering the final throes of her relationship with "Johannes" (Jacob Matschenz) whom she still loves. As with the original Paracelcus myth (upon which this is based), she must avenge herself on anyone who betrays her - and we gradually begin to understand that there is much more to her than meets the eye. An heavy rain shower is instrumental in introducing her to "Christoph" (Franz Rogowski) and she finds another love but when she disappears into a lake, he must search... It really does help if you have some familiarity with the story of the eponymous water nymph - otherwise much of this will seem disjointed. The use of the sunken boat in the lake, and strong efforts from Beer and Rogowski give this a depth to it; the characterisations develop slowly but definitely. True, Christian Petzold does take his time, and what is effectively quite a short story can seem a little overly padded now and again, but the imagery under the water and the subtly of the story are well carried by all. It made better sense to me second time round, and is well worth 90 minutes. If you do enjoy it, try the 1916 version - that is shorter and just as beautiful to watch.