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Woman in Hiding
Woman in Hiding

Woman in Hiding

19501h 32m★ 6.3スリラー犯罪ドラマロマンス

あらすじ

No synopsis available.

スタッフ・制作会社

監督: Michael Gordon

脚本: Roy Huggins / Oscar Saul / James Webb

制作: Michael Kraike

撮影監督: William H. Daniels

制作会社: Universal International Pictures

口コミ

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キャスト

アイダ・ルピノ
アイダ・ルピノ
Deborah Chandler Clark
Stephen McNally
Stephen McNally
Selden Clark
Howard Duff
Howard Duff
Keith Ramsey
Peggy Dow
Peggy Dow
Patricia Monahan
John Litel
John Litel
John Chandler
Taylor Holmes
Taylor Holmes
Lucius Maury
Irving Bacon
Irving Bacon
Link
Don Beddoe
Don Beddoe
Fat Salesman
Joe Besser
Joe Besser
Salesman with Drum
Fred Aldrich
Fred Aldrich
Bus Passenger (uncredited)

TMDB ユーザーのレビュー

John Chard
John Chard
★ 7

There's trouble at mill. Woman in Hiding is directed by Michael Gordon and adapted to screenplay by Oscar Saul and Roy Huggins from a story by James Webb. It stars Ida Lupino, Stephen McNally, Howard Duff and Peggy Dow. Music is by Milton Schwarzwald and cinematography by William H. Daniels. After the mysterious death of her father, a quickfire marriage to a hugely suspicious man, and an attempt on her life, Deborah Chandler Clark (Lupino) is forced to assume a new identity and go into hiding... No great shakes as regards the plot line, it's a standard woman in peril piece, where we the viewers know what's going on and only really await for what we hope is a punchy resolution to it all. However, overcoming the simplicity of formula, it's a film nicely constructed and performed, with plenty of suspense, tightly wound anticipation and some very pleasing visual accompaniments. Opening with a guarded voice over from Lupino''s character, mood is nicely set at noir influenced. From here we quickly get to know the principle players and are quickly on Deborah's side. Peril and emotional pain is never far away with Gordon (The Web) and ace photographer Daniels (The Naked City) complicit in mood enhancements. Cue a cabin at nighttime bathed in oppressive moonlight, shadowed window bars striking facial menace - and as Deborah's peril grows greater - an imposing staircase ripe for a dastardly deed, Then we hit the last quarter of film and the quality really shines through. A steam train at night is grand, a splendid setting, but that is just a precursor to the exciting denouement at the deserted mill of Deborah's birthright. Daniels excels, his photography straight out of a noir fever dream, all while the industrial churning of the mill machinery adds impetus to the thrilling conclusion. It needed more of a black heart as per outcome to be a definitive noir pic, but it comes safely recommended to noir enthusiasts regardless. 7/10

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