FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

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遊星からの物体X ファーストコンタクト
遊星からの物体X ファーストコンタクト

遊星からの物体X ファーストコンタクト

20111h 43m★ 6.2ホラーサイエンスフィクション謎

あらすじ

ノルウェーの南極観測隊が、氷の中に閉じ込められた未知の生命体を発見。古代の生物ではないかと推測され、その調査のために考古生物学者ケイトが彼らの基地に向かう。だが、生命体は解凍されて長い眠りから覚醒。しかも、それはほかの生物の体内に侵入しては、細胞を同化して宿主そのものに擬態する、宇宙からやって来た生命体だったのだ。突如として宿主の肉体を破壊するように変形しては襲い掛かる生命体によって、彼らは誰が同化されているのか判断できない状況になっていき……。

作品考察・見どころ

極寒の南極という閉ざされた極限状態が生む、息詰まるような猜疑心の連鎖こそが本作の白眉です。誰が人間で、誰が異形なのか。視覚的な恐怖以上に、隣人を信じられなくなる心理的な崩壊が緻密に描かれており、観客を底知れぬ不安へと引きずり込みます。 主演のメアリー・エリザベス・ウィンステッドが見せる、理知的かつ強靭な意志は圧巻です。高度な造形がもたらす生理的な嫌悪感と、静寂を切り裂く咆哮が、圧倒的なリアリティを伴って迫ります。究極の不信の中で己を貫く姿は、観る者の生存本能を激しく揺さぶるでしょう。

興行成績

製作費: $35,000,000 (53億円)

興行収入: $31,505,287 (47億円)

推定収支: $-3,494,713 (-5億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

メアリー・エリザベス・ウィンステッド
メアリー・エリザベス・ウィンステッド
Kate Lloyd
ジョエル・エドガートン
ジョエル・エドガートン
Carter
ウルリッヒ・トムセン
ウルリッヒ・トムセン
Dr. Sander Halvorson
エリック・クリスチャン・オルセン
エリック・クリスチャン・オルセン
Adam Finch
Adewale Akinnuoye-Agbaje
Adewale Akinnuoye-Agbaje
Jameson
Paul Braunstein
Paul Braunstein
Griggs
Trond Espen Seim
Trond Espen Seim
Edvard Wolner
Kim Bubbs
Kim Bubbs
Juliette
Jørgen Langhelle
Jørgen Langhelle
Lars
Jan Gunnar Røise
Jan Gunnar Røise
Olav

スタッフ・制作会社

監督: Matthijs van Heijningen Jr.

脚本: Eric Heisserer / John W. Campbell Jr.

音楽: Marco Beltrami

制作: エリック・ニューマン / Marc Abraham / J・マイルズ・デイル

撮影監督: Michel Abramowicz

制作会社: Universal Pictures / Morgan Creek Entertainment / Strike Entertainment

TMDB ユーザーのレビュー

John Chard
John Chard
★ 7

Hvem går det? The Thing is directed by Matthijs van Heijningen Jr. and adapted to screenplay by Eric Heisserer. It's based on the novel "Who Goes There?" by John W. Campbell and is a prequel to "John Carpenter's The Thing" from 1982. It stars Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, Eric Christian Olsen and Adewale Akinnuoye-Agbaje. Music is by Marco Beltrami and cinematography by Michel Abramowicz. Antartica, 1982, and scientist Kate Lloyd is requested to investigate something strange at a Norwegian base station. By accident the Norwegians have discovered what appears to be an alien craft frozen beneath the ice. Their thoughts prove to be correct and they are rightly celebrating a magnificent discovery, particularly as there appears to also be a frozen being in the ice. But it's not long before everyone at the base begins to regret unearthing the being... No serious John Carpenter fan wanted this film, it wasn't needed or required. His 1982 film is an awesome slice of sci-fi horror, a remake itself of a very good film, "The Thing from Another World" (Howard Hawks 1951), Carpenter flipped the scenario around from Hawks' movie to great effect. Paranoia and creeping dread blended with amazing beasties to make for what many feel is one of the ultimate sci-fi horror movies going. So why remake it then? Well, we are told by Heijningen Jr and his team that this is a prequel to Carpenter's movie, asking the big questions such as just what happened at the Norwegian base station before Kurt Russell's manly mob got there? Making this a sort of filling in the blanks session. Not a bad idea at all is that, something good to work from, even if we know from the beginning of Carpenter's movie just how many Norwegian's survived! Now the problem here is that it may be a prequel, and attention to detail in scenes linking both films together is rather ace, but it's devoid of freshness, the makers pretty much following the exact same formula of Carpenter's film. Cue a group of scientist types getting spooked by something ghastly stalking them, cue one by one them getting offed in grizzly ways by an assimilating menace and cue paranoia and suspicion. They even put in the test sequence from 82, only with a metal slant instead of blood, while the creatures are the same only bigger in body horror terms and budget. Instead of Kurt Russell's mighty machismo, we get Winstead's spunky lady (she's the one without the face fuzz here), but it's the same old same old routine, only for the "Scott Pilgrim" crowd. When all is said and done, this is pretty much a remake of a far far better film. Yet for all that is annoying and unadventurous about it, it's still a bunch of fun, the director is capable in having us wonder what is around the corner, utilising the cramped interiors for maximum fret. The various creatures born out of the Thing itself are monstrous, especially the two headed one which we see horrifically birthed, and even though the CGI is there, with some of it poor, much of it is blended with practical work and the human actors to stop it from being "all" about the effects. It's also nice to report that there is undeniably love and respect for the 82 cut. Leading cast performances are efficient, but Winstead is just too young and looks out of place, she does not, however, fail for lack of effort to make her thinly written part work. Bonus is the Norwegian actors adding some intense character dynamics to the plotting. Beltrami's score nods appreciatively to Morricone's original, and on Blu-ray Abramowicz's steely coloured photography really pings out of the screen. In an alternative universe where there is no John Carpenter film, this would be a well regarded entry into the creature feature stable. With enough shocks and squirmy screams delivered for the genre eager crowd. But unless you are someone who hasn't seen Carpenter's superior movie, then this will feel like a shallow imitation, just like, ironically enough, one of The Thing's assimilated humans. A generous 7/10 from me because I did have fun watching in the privacy of my own home with the lights off. Other Carpenter fans, though, are most likely to start rating from my 7 and work backwards I feel...

Wuchak
Wuchak
★ 7

**_More of the same with a female protagonist, but well done_** An American paleontologist (Mary Elizabeth Winstead) is recruited by a doctor and his assistant (Ulrich Thomsen and Eric Christian Olsen) to travel to a Norwegian base in Antarctica to examine a colossal craft buried under the ice and a nearby frozen specimen. They bring the latter into the base; big mistake. “The Thing” (2011) is a prequel to the Kurt Russell movie from 29 years prior. The ending fittingly paves the way for the 1982 film, which featured an all-male cast. This one attempts to “fix” that arguable issue with the inclusion of Winstead and another female character, but I wouldn’t look for romantic complications because this flick runs 6 minutes shorter than the ’82 film and so only has time to focus on the life-or-death challenges of the remote station. It's basically a re-do, just with a female protagonist à la “Alien” & “Aliens.” The laughable torso jaws return, but this shows faithfulness and consistency. The ’82 film is revered by devotees so this movie was never going to measure up in their eyes. However, it’s pretty much on par and I appreciate the presence of Winstead, plus it does do something different in the last act that I’m not going to give away. The film runs 1 hour, 43 minutes, and was shot at Pinewood Toronto Studios near the shore in Port Lands, as well as nearby Stouffville and the Canadian Forces Base in Trenton, the latter of which is a 2-hour drive east of Toronto. Exteriors were shot in British Columbia. GRADE: B

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