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Ask a Policeman
Ask a Policeman

Ask a Policeman

19391h 23m★ 7.4コメディ

あらすじ

No synopsis available.

作品考察・見どころ

本作の真髄は、ウィル・ヘイ、グラハム・モファット、ムーア・マリオットの伝説的トリオが織りなす、完璧に計算された不協和音のアンサンブルにあります。無能な権威、生意気な若手、奇怪な老人がぶつかり合う様は、喜劇の様式美の極致です。彼らの絶妙な間合いは、時代を超えて観る者の心を掴んで離しません。 注目すべきは、平和な村で自らの存在意義を求めて奔走する「逆転のユーモア」に潜む鋭い風刺です。制服を着た男たちが巻き起こす滑稽な騒動は、組織の不条理を見事に炙り出しています。古き良き英国喜劇の魂とシュールな熱量が凝縮された、まさに映画史に刻まれるべき至高の娯楽作と言えるでしょう。

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キャスト

Will Hay
Will Hay
Sergt. Dudfoot
Graham Moffatt
Graham Moffatt
Albert
Moore Marriott
Moore Marriott
Harbottle
No Image
Glennis Lorimer
Emily
Peter Gawthorne
Peter Gawthorne
Chief Constable
Charles Oliver
Charles Oliver
The Squire
Herbert Lomas
Herbert Lomas
Coastguard
Patrick Aherne
Patrick Aherne
Motorist
Cyril Chamberlain
Cyril Chamberlain
Radio Announcer
No Image
Noel Dainton
Revenue Officer

スタッフ・制作会社

監督: Marcel Varnel

脚本: Sidney Gilliat / Marriott Edgar / Val Guest

音楽: Clive Richardson

撮影監督: Derick Williams

制作会社: Gainsborough Pictures

TMDB ユーザーのレビュー

John Chard
John Chard
★ 10

When the tide runs low in the smugglers cove... Turnbotham Round has no crime, something that becomes common knowledge after a radio programme is broadcast from the village. Upon hearing this broadcast, the top brass at Scotland Yard send word that if there is no crime there, then why employ policemen to police the village? Realising that their good lives are about to come to an end, inept coppers Dudfoot (Will Hay), Brown (Graham Moffatt) and Harbottle (Moore Marriott) set about making some arrests. What they hadn't bargained for was the uncovering of a smuggling ring and the unleashing of the phantom headless horseman. Much like Will Hay's Good Morning, Boys (1937) followed a similar formula to that of one of his earlier pictures, Boys Will Be Boys (1935), so it be with Ask A Policeman in that it has close links with critics fave, Oh Mr. Porter! (1937). However, that in no way is a bad thing because Ask A Policeman is utter joy from start to finish. In fact I would go so far as to say that the writing is actually better here. With a writing team consisting of Marriott Edgar, Sidney Gilliat, Val Guest and J.O.C. Orton, it's no wonder that the gags come thick and fast and still hold up over 80 years later. Marcel Varnel once again directs Hay and his blunderingly magnificent sidekicks, Marriott and Moffatt, and each of them are on terrific form as they within a heartbeat lurch from incredulity to stupidity. They are helped by the story and its delightful supernatural set ups. These coppers have been having it easy for so long they have forgotten just what it takes to be a copper. More content with bending the rules for an easy life (note some nice satire in the writing), these guys are suddenly faced with the supernatural and actual real crime. Something they are delightfully unable to properly cope with. From trying to set up a roadside speeding arrest to an attempt at solving an ancient smugglers rhyme, Ask A Policeman, courtesy of an across the board team on fire, is to my mind one of the greatest British films of all time. So pay attention to the jokes and admire the visual comedy that goes with them, and then hopefully you too will appreciate just what genius Hay and his cohorts brought to British comedy between 1936 to 1940. 10/10

CinemaSerf
CinemaSerf
★ 7

This is possibly my favourite outing for Will Hay, with this time a strong supporting cast to help him along with this daft adventure caper. He is "Sgt. Dudfoot" who along with "Albert" (Graham Moffatt) and "Harbottle" (Moore Marriot) have recently been on the radio from their crime-free village. They didn't quite think it through, though, as soon they realise that they might well have talked themselves out of a job. Solution? Well let's invent some crimes! That they do with, as you'd expect, comical results. Thing is, some real criminals are taking advantage of these hapless buffoons and smuggling barrels of booze from right under their noses. Can they get a grip on things, apprehend those varmints and save their posts? Moore Marriott 's engaging "Harbottle" could easily have been the model for Wilfred Brambles' later characterisation of "Steptoe" and together with his two cohorts and with some creative input from Marcel Varnel and Sidney Gilliat we end up with an enjoyable eighty minutes of typically British humour. It has traces of slapstick, but it is essentially the quickly-paced patter and the fun dynamic between the three that keeps this moving well and entertainingly. Sure, some of the jokes were probably corny even then, but if you enter into the spirit of it, then I think you will enjoy it.

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