Kensuke's Kingdom
あらすじ
No synopsis available.
作品考察・見どころ
興行成績
製作費: $11,000,000 (17億円)
興行収入: $2,919,215 (4億円)
推定収支: $-8,080,785 (-12億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
製作費: $11,000,000 (17億円)
興行収入: $2,919,215 (4億円)
推定収支: $-8,080,785 (-12億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Neil Boyle / Kirk Hendry
脚本: Frank Cottrell Boyce / Michael Morpurgo
音楽: Stuart Hancock
制作: Adrian Politowski / Nadia Khamlichi / Sarah Radclyffe
制作会社: Lupus Films / Jigsaw Films / Spirit Base / BFI / Brennus Productions / Film Fund Luxembourg / Ffilm Cymru Wales / Melusine Productions / Align / Bumpybox / Le Pacte / Bankside Films
When his parents lose their jobs, they decide to sell up and spend a year circumnavigating the globe on their boat - the "Peggy Sue". Unbeknown to his parents, though, teenage son "Michael" has smuggled their dog "Stella" aboard and is feeding her from their supply of digestive biscuits! Of course this isn't a secret he can keep for long, and actually it shows us that "Michael" isn't actually the most grown up of boys as he seems to view parental instructions more like optional guidelines. That rather comes home to roost when a storm hits the boat and both he and his canine companion are washed overboard and then ashore a small island. There's no food, no water - and a baking sun, so you wouldn't think much for his chances - except. Well, they awake to find some hand-prepared sushi and freshly cracked coconut milk on the hollowed out log they were using as shelter. Maybe this island isn't as hostile as he'd first thought? Well the jellyfish certainly have it in for him, and that's when he meets his benefactor - an old gent who would appear to have been on the island for a very long time. Gradually, the two - with no common language - start to trust one and other and "Kensuke" starts to impart to the boy some of his own values as they learn to collaborate with nature on this increasingly attractive paradise. Desperate for rescue when he arrived - is he still so desperate now? We learn a little of the backstory of the island's sole human occupant which adds some richness, and some sadness, to two straightforwardly engaging characterisations and with an animation that reminded me a little, in style, of the "Snowman" (1982) and a fitting musical accompaniment from Stuart Hancock I found this to be a short, sweet and enjoyably poignant story of learning a little about self-reliance and not so much about self-importance.
