

マーティン・エデン
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Overview
ハリソン・フォード主演で映画化された冒険小説「野性の呼び声」などで知られるアメリカの作家ジャック・ロンドンの自伝的小説を、イタリアを舞台に映画化。2019年ベネチア映画祭のコンペティション部門に出品され、主人公マーティンを演じたルカ・マリネッリが男優賞を受賞。そのほか、イタリアのアカデミー賞と言われるダビッド・デ・ドナテッロ賞で脚色賞を受賞するなど高い評価を獲得。 イタリア・ナポリの労働者地区に生まれた貧しい船乗りの青年マーティンは、上流階級の娘エレナと出会って恋に落ちたことをきっかけに、文学の世界に目覚める。独学で作家を志すようになったマーティンは、夢に向かい一心不乱に文学にのめり込むが、生活は困窮し、エレナの理解も得られることはなかった。それでも、さまざまな障壁と挫折を乗り越え、マーティンは名声と富を手にするまでになるが……。
製作費: $3,800,000 (6億円)
興行収入: $1,681,545 (3億円)
純利益: $-2,118,455 (-3億円)
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Now it is quite possible that I just wasn't in the right frame of mind when I saw this, but somehow it just misfired. Luca Marinelli is the eponymous character hell bent on improving his lot from a pretty meagre upbringing. His opportunity comes when he rescues the young "Arturo" from some local bullies and when he is invited to his new friend's luxury home for a thank you lunch, meets the boy's sister "Elena" (Jessica Cressy) and it's love at first sight. Determined to elevate himself even more now, he falls in with noted, if slightly dissolute, socialist "Brissenden" (Carlo Cecchi) and whilst his newly found success satisfies his desire for wealth and self-improvement, it also serves to throw some obstacles in his path to true love. It is certainly a very stylish film to enjoy - the mix of colour and monochrome cinematography delivers well, and the score works well to complement the dialogue and the feelings of desire, frustration and maybe even danger as our hero's increasingly successful, politically driven work draws enemies from his peers and the authorities. I suppose, for me, it dwells a little too much on the introspection of a man that I didn't particularly care for; and as ever with films based around one single character - it's hard to stay engaged if that character isn't working for you. I hesitate to say I found it dull, it isn't dull, but then it isn't really very good either... Perhaps after a second watch, but I can't really think I will bother.
























