FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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インフィニット 無限の記憶
インフィニット 無限の記憶

インフィニット 無限の記憶

20211h 46m★ 6.6サイエンスフィクションアクションアドベンチャー

あらすじ

身に覚えのない記憶と不安定な精神状態に10代の頃から悩まされてきたエヴァンは、定職に就くこともできず薬物に頼る日々を送っていた。そんな彼の前に謎の組織の人間が現れ、衝撃的な事実を告げる。世界には記憶を保持したまま輪廻転生を繰り返す人間「インフィニット」が存在し、エヴァンもその1人だというのだ。戸惑いながらも事実を受け入れたエヴァンは、輪廻転生を断ち切るために人類滅亡を企む「ニヒリスト」たちを阻止するべく立ち上がる。

作品考察・見どころ

前世の記憶を継承する存在を描く本作の真髄は、輪廻転生という神秘的テーマを、監督が圧倒的な熱量のアクションへと昇華させた点にあります。何世紀もの経験が現代の肉体で目覚める瞬間のカタルシスは、映像表現ならではの躍動感に満ちており、観る者の本能を激しく揺さぶります。 主演のマーク・ウォールバーグとキウェテル・イジョフォーが演じる「生への渇望と絶望」の対比は、本作に深い哲学的奥行きを与えています。無限の生は救済か、あるいは呪縛か。運命に抗い意志を貫く彼らの姿は、限られた時間を生きる私たちに「魂の在り方」を熱く問いかけてくるのです。

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レンタル・購入

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キャスト

マーク・ウォールバーグ
マーク・ウォールバーグ
Evan McCauley
キウェテル・イジョフォー
キウェテル・イジョフォー
Bathurst 2020
Sophie Cookson
Sophie Cookson
Nora Brightman
Jason Mantzoukas
Jason Mantzoukas
Artisan
ルパート・フレンド
ルパート・フレンド
Bathurst 1985
トビー・ジョーンズ
トビー・ジョーンズ
Porter
Dylan O'Brien
Dylan O'Brien
Treadway
Jóhannes Haukur Jóhannesson
Jóhannes Haukur Jóhannesson
Kovic
Liz Carr
Liz Carr
Garrick
Kae Alexander
Kae Alexander
Trace

スタッフ・制作会社

監督: アントワーン・フークア

脚本: Todd Stein / D. Eric Maikranz / Ian Shorr

音楽: ハリー・グレッグソン=ウィリアムズ

制作: アントワーン・フークア / Stephen Levinson / ローガン・ハフマン

撮影監督: Mauro Fiore

制作会社: di Bonaventura Pictures / Closest to the Hole Productions / Paramount Pictures / New Republic Pictures / Leverage Entertainment

TMDB ユーザーのレビュー

Manuel São Bento
Manuel São Bento
★ 5

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I really appreciate Antoine Fuqua's career as a director. From the beloved classic Training Day to the highly entertaining The Equalizer films, Fuqua has demonstrated skillful handling of action sequences. As expected, Infinite delivers several fighting scenes and car chases, mostly riveting and quite enjoyable. The third act gets extremely over-the-top concerning the action set pieces, which are only tolerable due to a special yet underdeveloped character trait that ultimately justifies the more absurd moments. Mauro Fiore's camera work and Conrad Buff IV's editing are decent enough, but the last act features too much shaky cam and excessive cuts for my taste. Story-wise, that's where things get tricky. Ian Shorr's screenplay boasts a genuinely interesting premise with exciting world-building to support it. However, the tiresome voice-over from Mark Wahlberg - who offers a good performance just as the rest of the cast - holds heavy exposition that's then repeated in dialogues across the movie, stretching the runtime unnecessarily. This narration rarely adds anything relevant to the story or impacts the viewer's opinion about the protagonist. In addition to this, it's one of those films that carries tremendous storytelling potential but never reaches it. Personally, I truly find the concept intriguing, but its development doesn't leave the base of its premise. In fact, just by watching the main trailer, most of the world-building is given to the audience in those few minutes. Honestly, in better hands, this movie could have been the beginning of a new franchise with infinite - no pun intended- possibilities to make sequels, prequels, spin-offs, or even trigger the start of a TV show. As it is, Infinite is nothing more than an inoffensively entertaining flick that could have been much, much better. Rating: C

Kamurai
Kamurai
★ 6

Pretty good watch, could watch again, and can recommend. I feel like I had a lot of problems with this movie. The concept is good, but not very cinematic, so it feels like they tried to add action to "Ad Astra". With Mark Wahlberg as the main protagonist, a lot of the movie, as I could think was "Somwon stohl mah teddy bwear" so that ruined the vibe a little. A large part of it is that the story takes place over centuries if not millenia, so clearly that's not part of the movie, so we miss out on caring about who these immortals are as characters. You're sort of just told to care about them. For at least part of the movie I identified with the villains more because their plan is actually laid out with some level of clarity and a surprising amount of reason: kill everyone and there is nowhere to resurrect. Sort of a fun interpretation of "When your enemy goes to ground, leave no ground to go to.". Ultimately this is a high end cast, with plenty of money behind the production, so it looks good, and has an interesting concept, but just sort of falls flat on the execution. I just never really cared about the characters.

CinemaSerf
CinemaSerf
★ 6

This is one of those films that has a solution right from the get-go, as plain as the nose on your face that by the end, or maybe even the end of the beginning (as Churchill might have said) you would cheerfully have applied to yourself... Poor old "Evan" (Mark Wahlberg) has an amazing memory, but is constantly hassled by vivid hallucinations that are driving him towards a mental breakdown. Somehow, though, some semblance of sanity rears it's head leading "Evan" to wonder if is he part of a plan to destroy all of mankind, or is he part of the solution that may just save it from Chiwetel Ejiofor's "Bathurst 2020" (sadly, no, not the Aussie motor car race)? The plot itself is quite interesting, and the overlapping memories creating the terrifyingly unstable state of our hero could have made for a much better effort had director Antoine Fuqua not tried to cram far too much into 1¾ hours. The sacrifices to characterisation and detail, coupled with the relentlessness of the action scenes (that actually serve to sterilise the plot, somewhat) just leave us with way too many holes and a totally undercooked story. Wahlberg is well passed his best, and though Sophie Cookson tries hard as "Nora" the whole thing just gets lost in it's own maze of confusion and poorly adapted dialogue. Sadly another example of a film that threw money at the talent and the look, but scrimped on an intelligent screenplay.

RalphRahal
RalphRahal
★ 5

Infinite, starring Mark Wahlberg and directed by Antoine Fuqua, offers an intriguing premise about reincarnation and ancient rivalries but struggles to deliver a memorable experience. While the acting is serviceable—Wahlberg and Chiwetel Ejiofor bring energy to their roles—the characters lack depth, making it hard to connect with the story. Visually, the movie has its moments, with solid action and effects, but the direction feels bland, and the pacing drags. The plot quickly becomes convoluted, relying too much on exposition rather than building organic intrigue. It’s watchable for the action, but ultimately forgettable and unlikely to warrant a rewatch. A decent one-time watch, but not much more.

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