FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

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G.I.ジョー 漆黒のスネークアイズ
G.I.ジョー 漆黒のスネークアイズ

G.I.ジョー 漆黒のスネークアイズ

20212h 2m★ 6.5アクションアドベンチャー

あらすじ

シリーズの人気キャラクターでもある漆黒の忍者スネークアイズを主人公に、マスクで顔を隠し謎に包まれたスネークアイズがいかに誕生したかを描く。日本の闇の組織からある男の命を救ったスネークアイズは、秘密忍者組織「嵐影」への入門を許可される。600年にわたり日本の平和を守ってきた嵐影だったが、悪の抜け忍組織と国際テロ集団「コブラ」の連合軍による攻撃にさらされ、危機に瀕していた。スネークアイズは嵐影の3つの試練を乗り越え真の忍者となり、世界を守るため戦う。

作品考察・見どころ

本作は、世界的人気を誇る玩具やコミックから生まれた戦士の原点を、情熱的な人間ドラマとして再構築しています。沈黙のイメージを覆し、主人公の「声」と「素顔」を曝け出した点が最大の革新です。ヘンリー・ゴールディングとアンドリュー・小路が放つ、友情と宿命の火花が散る演技は、観る者の魂を激しく揺さぶる熱量を備えています。 原作で謎に包まれていた内面を、実写ならではの表情の機微や泥臭いアクションで描き切った点は見事です。忍者の伝統とネオンが融合した圧倒的ビジュアルは、映像メディアでしか成し得ない視覚的快感でしょう。正義と復讐の狭間で葛藤する男が、「英雄」へと脱皮していく瞬間の鼓動を、ぜひ肌で感じてください。

興行成績

製作費: $88,000,000 (132億円)

興行収入: $36,964,325 (55億円)

推定収支: $-51,035,675 (-77億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

Henry Golding
Henry Golding
Snake Eyes
アンドリュー・小路
アンドリュー・小路
Tommy / Storm Shadow
Haruka Abe
Haruka Abe
Akiko
Úrsula Corberó
Úrsula Corberó
The Baroness
サマラ・ウィーヴィング
サマラ・ウィーヴィング
Scarlett
平岳大
平岳大
Kenta
石田えり
石田えり
Sen
イコ・ウワイス
イコ・ウワイス
Hard Master
Peter Mensah
Peter Mensah
Blind Master
Steven Allerick
Steven Allerick
Father

スタッフ・制作会社

監督: ロベルト・シュヴェンケ

脚本: Anna Waterhouse / エヴァン・スピリオトポウロス / Joe Shrapnel

音楽: Martin Todsharow

制作: デヴィッド・エリソン / ドン・グレンジャー / デイナ・ゴールドバーグ

撮影監督: ボージャン・バゼリ

制作会社: Paramount Pictures / Metro-Goldwyn-Mayer / di Bonaventura Pictures / Entertainment One / Skydance Media / Hasbro

TMDB ユーザーのレビュー

garethmb
garethmb

The latest film in the G.I. Joe cinematic universe has arrived with “Snake Eyes: GI Joe Origins”. The film was originally planned to arrive in March of 2020 but faced delays due to cinematic closures during the Pandemic. The film opens with a young boy being orphaned after a group of thugs kills his father. Years later the man is still obsessed with finding out who killed his father and earns a living in underground fighting known as Snake Eyes (Henry Golding) His exploits get the attention of Kenta (Takehiro Hira); who hires him into his organization with a promise to help him find the man who killed his father. Snake Eyes soon finds himself working on the docks where he smuggles guns into fish bound for Japan. Despite his misgivings working for criminals, he befriends a man named Tommy (Andrew Koji); who teases him about his demeaning work by calling him “Fish Boy”. When Kenta forces Snake Eyes to kill Tommy for being a spy; Snake Eyes refuses and the two make a daring escape to Japan. It is learned that Tommy is next in line to run his clan and that Kenta was banished years prior and plans revenge. Despite mistrust from a trusted associate named Akiko (Hakura Abe); Snake Eyes begins his training in the Ninja Arts which should he survive will make him a valued part of the Clan which Tommy believes is correct thanks to his Blood Debt to Snake Eyes. The film focuses on various aspects of training before branching into the larger story of divided loyalties and honors which results in a few battles and chases along the way. While the film does space the action out; it does provide some great cinematography and the action is entertaining even if it lacks much tension. The biggest issue is that the G.I. Joe/COBRA connection seems a bit forced as The Baroness (Ursula Corbero) arrives to move things along but it is mainly for the purpose of getting characters to do this and get that so the film can move towards the climactic action. Samara Weaving does show up as Scarlett but she does not have a very large part in the story and aside from a few limited action moments; she seems to be more of the token G.I.Joe representation. Golding and Hira are very good and their intertwined and complicated relationship is giving plenty of time to develop as their past is a large part of their futures and the film does a good job in explaining their past and future motivations. The film blends Asian and Western film styles and in doing so creates an enjoyable film that for me was more enjoyable than the prior films in the series. To me those films focused mainly on action and this one was focused on developing characters. While it remains to be seen what direction future films in the franchise will take; it would be interesting to see more of Snake Eyes story down the line. 3 stars out of 5

fourfridays
fourfridays
★ 3

If you are looking for the G.I. Joe style storytelling and action this may disappoint. It's a very different style and kind of predictable in many ways.

JPV852
JPV852
★ 5

Bland and forgettable martial-arts thriller that delves deeper into the character but outside of Henry Goulding who was good in the role, there's not much else to the film. The rest of the cast wasn't terribly charismatic and Samara Weaving talents is completely wasted in a small supporting role (shows up basically for the third act). I don't know, while the first two GI Joe films weren't very good, there were a few entertaining moments, this one I found pretty boring for the most part, worse yet, the fight scenes suffered from bad editing and poor lighting. **2.5/5**

Per Gunnar Jonsson
Per Gunnar Jonsson
★ 4

I actually liked the two first G.I. Joe movies, G.I. Joe: The Rise of Cobra and G.I. Joe: Retaliation. This one… not so much. It could have been a really good movie but it ended up as a huge disappointment. The story should have been a cool revenge story but it ended up being a convoluted mess making Snake Eyes one of the bad guys for most of the movie. It is also hugely predictable after the first 20 minutes of the movie. Did the writers really think that the “twists” would come as a surprise for anyone? They probably did since Hollywod writers usually reside on the low end of the intelligence scale nowadays. Putting three of those hacks together to write a movie doesn’t help of course. I could have accepted all of that if the rest would have been cool with lots of fights and special effects. Sadly the movie is mediocre, at best, in these areas as well. Snake Eyes is not only a bad guy but he is rather stupid as well as devoid of any charisma. His acting is quite poor which can be said for most of the actors actually. Apart from the mediocre acting there’s really no one in the movie that you feel like rooting for. No one stands out, everyone just excels in mediocrity. The only person in the entire movie that has any coolness factor worth talking about is Scarlett but she is not in the movie for more than a few scenes. There are a few scenes with some special effects, cars flipping over, huge snakes etc. but not really that much for this kind of movie. That could have been fine since this movie should be a lot about martial arts. Amazingly enough, not even here does it deliver. Most of the martial arts scenes involve a lot of flipping around with arms and swords but they mostly look like they have been written for a PG rated TV show for teens and pre-teens. They are simply poor. Tommy looks like he needs to take a dump before every fight with that ridiculous pose of his. This is not a 1-star movie as some rate it. That’s just ridiculous. It has some entertainment value. However, it could have been so much better. Unfortunately I suspect this movie has done the G.I. Joe franchise a disservice for some time to come.

CinemaSerf
CinemaSerf
★ 5

It's one thing offering us Henry Golding as a pretty chap you'd want to take home to meet your mother, it's quite another telling him to abstain from shaving for a few days and hope that turns him into a convincing, highly trained ninja! That's what is in store for us here as this latest GI Joe spin off presents our hero as the rescuer of the heir of an ancient Japanese clan - "Tommy" (Andrew Koji). Once he is thoroughly ingratiated with this noble family, it transpires that old "Snake Eyes" has an agenda all of his own - and it's not exactly honourable! The rest of the film follows a well trodden path of suspicion, betrayal, reconciliation and - of course - loads of epic looking sword fighting and gravity-defying action scenes. As with so many films in this genre, way too much emphasis has been placed on the look of the thing - the characters are instantly forgettable, the plot thinner than any rice paper could ever hope to be and the ending dragged this, quite unnecessarily, over the two hour mark. It needs a big screen to do the photography and visuals justice, but maybe just pay daytime rates?

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