カヴァルケード
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作品考察・見どころ
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興行成績
製作費: $1,180,280 (2億円)
興行収入: $7,630,000 (11億円)
推定収支: $6,449,720 (10億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $1,180,280 (2億円)
興行収入: $7,630,000 (11億円)
推定収支: $6,449,720 (10億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Frank Lloyd
脚本: Noël Coward / Reginald Berkeley
音楽: Louis De Francesco / Arthur Lange
制作: Frank Lloyd / Winfield R. Sheehan
撮影監督: Ernest Palmer
制作会社: Fox Film Corporation
Noël Coward is at his most unashamedly jingoistic with this triple-Oscar winning depiction of the lives and loves, trials and tribulations of the well-to-do "Marryot" family - "Jane" (Diana Wynyard) and husband "Robert" (Clive Brook) and of the working class "Bridges" - Herbert Mundin ("Fred") and Una O'Connor ("Ellen") and their respective children. This episodically styled melodrama, for that is largely what it is, straddles the periods of British history from the late 1800s, through the fairly seismic death of Queen Victoria, the ensuing gentile Edwardian era until the clouds of war gather in the early 1910s testing everyone's mettle and finally to the aftermath of the Great War. It proves to be quite an interesting observation of deference and class, of aspiration and resentment - and both O'Connor and Wynyard play their parts well. The rest of it is a bit lacklustre, though - it seems little better than a sentimentally written chronology, bedecked with union jacks and rousing Chopin and Strauss to paper over any attempts to look seriously at the pretty profound social changes occurring in Britain, and elsewhere in Europe over this time period. That it beat Cukor's "Lady for a Day" for the trophy in 1934 has always surprised me - but at least it gave Una O'Connor a chance to stop playing the maid!
