FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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サモン・ザ・ダークネス
サモン・ザ・ダークネス

サモン・ザ・ダークネス

20201h 30m★ 5.4ホラースリラー

あらすじ

「カリフォルニア・ダウン」のアレクサンドラ・ダダリオ主演によるスリラー。 1980年代のある夜。ヘビーメタルバンドのライブ会場を目指してロードトリップに出たアレクシス、バル、ビバリーの仲良し3人組。ラジオでは、悪魔崇拝者による連続殺人のニュースが流れている。やがて会場に到着した彼女たちは、そこで出会った3人の男たちとライブを満喫し、近くの別荘に彼らを誘う。お酒を飲んで意識を失った男たちが目を覚ますと、彼らは縄で縛られ恐ろしいカルトの落書きに囲まれていた。女たちは自分たちこそが事件を起こした悪魔崇拝者だと話し、彼らを生贄に捧げようとする。

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興行成績

興行収入: $190,760 (0億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

アレクサンドラ・ダダリオ
アレクサンドラ・ダダリオ
Alexis
Keean Johnson
Keean Johnson
Mark
Logan Miller
Logan Miller
Kovacs
エイミー・フォーサイス
エイミー・フォーサイス
Bev
Austin Swift
Austin Swift
Ivan
Maddie Hasson
Maddie Hasson
Val
Johnny Knoxville
Johnny Knoxville
Pastor John Henry Butler
Allison McAtee
Allison McAtee
Susan
Steve Pacaud
Steve Pacaud
Cool Guy
Derek James Trapp
Derek James Trapp
Metal Head

スタッフ・制作会社

監督: Marc Meyers

脚本: Alan Trezza

音楽: Tim Williams

制作: Robert Jones / James Harris / アレクサンドラ・ダダリオ

撮影監督: Tarin Anderson

制作会社: Common Enemy / The Fyzz / Magna Entertainment / Iconic Media One / Highland Film Group / LB Entertainment / Litecoin Foundation / Nightshade Entertainment

TMDB ユーザーのレビュー

jackcarlin18
jackcarlin18
★ 6

Full Review at **_Horror Focus_** We Summon The Darkness has glimpses or originality and flare throughout, sprouting up through heaps of generic sequences that do more damage than good. Luck enough, these moments do add a little zest to the experience, and remind you that there is a healthy chunk of potential to be admired. Whether it's the charming cast or the plentiful gore, there seems to be something that will keep everyone pleased, even if not fully satisfied. The gore is delicious, the home-invasion game of cat and mouse is entertaining, if a little watered down, and the characters are ultimately the saving grace here, even down to the "coke booger' step-mum which add a tantalisingly fun element to the whole experience. Now, this won't be breaking new ground by any means, but it's still a passable way to kill 90 minutes. Gory, entertaining and often funny at a flaw, boasted by charasmatic performances from Daddario and Hasson. Expect a plot with verve or ingenuity and you will come out of this with a whimper.

Kamurai
Kamurai
★ 6

Good watch, could watch again and can recommend. Alexandra Daddario ("Percy Jackson: The Lightning Thief") is expanding her range again here, I just wouldn't have thought to cast her in a villainous style role, but she rules the scenes she is in, showing her big personality. Amy Forsyth actually shows some big acting strength, mostly by playing a meek character which isn't easy. And I wouldn't have thought Johnny Knoxville (Jack Ass) would have the commanding presence for a preacher, but he fills the atmosphere with power. The movie itself has every sign of being some horrible slasher movie with twists, but the biggest "twist" is that everything careeens out of control. The movie honestly reminded me of "Duplex" more than "Scream". Honestly, without this cast working their butts off this would be a terrible movie, but the story it just interesting enough and the acting good enough to save it. Worth the watch, but I would understand if you want to watch something else: there are a lot of choices.

Wuchak
Wuchak
★ 4

_**Wannabe Tarantino flick about a house of fools**_ In 1988, three ‘metalhead’ teen girls (Alexandra Daddario, Maddie Hasson & Amy Forsyth) travel the sticks of Indiana to a concert featuring the band Soldiers of Satan. They meet three guys (Keean Johnson, Logan Miller & Austin Swift) and take them to a mansion owned by Alexis’ dad to party wherein the fun eventually turns… horrific. “We Summon the Darkness” (2019) is entertaining for the first act as it takes us back to 1988 and a metal concert, which features MF’s “Black Funeral,” but then it bogs down at a mansion for the rest of the movie where it becomes clear that the director & writer were shooting for a Tarantino-like picture. The problem is, they ain’t Tarantino. They lack his writing talents, especially his great dialogues, plus they don’t have the quality actors to pull off the story. Don’t get me wrong, the six main actors do well for an Indie, but they’re not anywhere close to the level of John Travolta, Samuel L. Jackson, Bridget Fonda, Mélanie Laurent, Christoph Waltz, Brad Pitt, Bruce Willis, etc. One problem is that the two main girls, Alexis (Daddario) & Val (Hasson), aren’t believable, and I’m talking about after the key revelation is unveiled. They shoot for 100 lb. psycho biyatches, but come across campy and not overly daunting, particularly the alluring Val. Sometimes the movie’s even humorous, making me wonder if it’s an intentional black comedy. In the mansion there’s a lot of screaming and bloodletting that gets eye-rolling and tedious, à la the last acts of "Psycho II" (1983), “Scream” (1996) and “The Hateful Eight” (2015). The message is that appearances can be deceiving and the sheeple can be misguided or fooled, which is a good one, but I didn’t buy the twist’s revelations and I’m not even talking about the initial surprise so much, but rather the whole shebang. Then again, it could be argued that money is the root of all kinds of evil and well-meaning people HAVE been corrupted by the allure of filthy lucre and their followers misguided. Yet it seems too forced here, like the creators had a Lefty agenda and it’s off-putting. Give me “Once Upon a Time… In Hollywood” (2019) any day. The film runs 1 hour, 30 minutes, and was shot in Winnipeg, Manitoba. GRADE: C/C-

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