FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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Sons and Lovers
Sons and Lovers

Sons and Lovers

19601h 43m★ 6.4ドラマ

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

スタッフ・制作会社

監督: Jack Cardiff

脚本: D. H. Lawrence / Gavin Lambert / T. E. B. Clarke

音楽: Mario Nascimbene

撮影監督: Freddie Francis

制作会社: 20th Century Fox

口コミ

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キャスト

Mary Ure
Mary Ure
Clara Dawes
Trevor Howard
Trevor Howard
Walter Morel
ディーン・ストックウェル
ディーン・ストックウェル
Paul Morel
Wendy Hiller
Wendy Hiller
Gertrude Morel
Heather Sears
Heather Sears
Miriam Leivers
William Lucas
William Lucas
William Morel
Conrad Phillips
Conrad Phillips
Baxter Dawes
Ernest Thesiger
Ernest Thesiger
Mr. Hadlock
ドナルド・プレザンス
ドナルド・プレザンス
Mr. Pappleworth
Rosalie Crutchley
Rosalie Crutchley
Mrs. Leivers

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Dean Stockwell is on good form here, as the artistically talented "Paul" who lives with his miner father "Walter" (Trevor Howard) and mother (Wendy Hiller). When tragedy strikes their local mine, she is even more determined to ensure that this son does not go down the pit - and when "Hadlock" (Ernest Thesiger) offers him an opportunity to come to London and work - it looks like he might escape this dead-end existence. His dad, however, comes home drunk and he and his wife have an altercation that makes "Paul" stay put. Is he staying to protect her, or because he is really too afraid to cut the apron strings? Jack Cardiff really does lay the foundations for this story well; a good solid cast deliver a story with plenty of simultaneously running themes. The tightly-knit family with their individual demons, trapped in an economic bubble of low income, minimal opportunities, and other people's wives. Hiller is superbly understated as the inadvertently domineering, but well meaning matriarch and though Howard features but sparingly, his presence in each scene has purpose. The title is a bit misleading - one assumes it is a romance, or some sort of Jane Austen style of story; but D.H. Lawrence has imbued these characters with a plausibility that engenders sympathy, fury and frustration from the audience. Sixty years on, this is still a potent social commentary that many families and communities may well continue to relate to.

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