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Raid on Rommel
Raid on Rommel

Raid on Rommel

19711h 39m★ 5.8戦争アクション

あらすじ

No synopsis available.

作品考察・見どころ

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スタッフ・制作会社

監督: Henry Hathaway

脚本: Richard M. Bluel

音楽: Hal Mooney

制作: Harry Tatelman

撮影監督: Earl Rath

制作会社: Universal Pictures

口コミ

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キャスト

リチャード・バートン
リチャード・バートン
Capt. Alex Foster
John Colicos
John Colicos
Sgt. Maj. Allan MacKenzie
Wolfgang Preiss
Wolfgang Preiss
Gen. Erwin Rommel
Clinton Greyn
Clinton Greyn
Maj. Hugh Tarkington
Danielle De Metz
Danielle De Metz
Vivianne Gagliardo
No Image
Karl-Otto Alberty
Schroeder
Christopher Cary
Christopher Cary
Conscientious Objector
John Orchard
John Orchard
Garth
Brook Williams
Brook Williams
Reilly
Greg Mullavey
Greg Mullavey
Brown

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

Is it just me, or is this just a fairly straightforward remake of “Tobruk” (1967)? Instead of Rock we have Richard, Burton, as he sets off deep behind enemy lines in North Africa to destroy a fuel dump that is going to help mobilise a couple of Panzer divisions for Rommel. He is supposed to take a crack team with him, but a mix up sees him saddled with a doctor (Clinton Greyn) and his patients who couldn’t hit a bull on the backside with an bulldozer. Things become even more precarious when they find themselves talking Prussian brown stamps with the Field Marshall himself (Wolfgang Preiss) - but maybe that might allow the observant “Foster” (Burton) to catch a glimpse of some top secret maps? From now on in, I could swear it actually uses some of the same footage from the other movie, especially at the end - which is certainly the best part of the film. Burton does enough, but nothing more really, and I couldn’t quite figure out just what Danielle De Metz was doing here at all. It takes the usual pop at the inadequacies of the Italians during the war, and it also endeavours to make Rommel out to be a civilised gentleman à la James Mason, but otherwise it’s really just a vehicle for a star who looked like he had bleached his hair specially for the part. It passes the time if you like the genre, but nothing more, sorry.

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