FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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時の面影
時の面影

時の面影

20211h 52m★ 6.8ドラマ履歴

あらすじ

第二次大戦直前のイギリス。不思議な塚の発掘を望む未亡人が雇ったのは、経験豊富なアマチュア考古学者。この出会いが、歴史に残る大発見へとつながっていく。

作品考察・見どころ

本作が描き出すのは、土の下に眠る過去と、戦争の足音が迫る現在が交差する静謐なドラマです。レイフ・ファインズとキャリー・マリガンの抑制された演技は、言葉にできない孤独と魂の共鳴を見事に体現しています。掘り起こされる古代の遺構が象徴するのは、個人の命を超えて受け継がれる人間の営みそのものであり、その悠久の時間軸に触れる瞬間、観客の心には深い感動が押し寄せます。 特筆すべきは、光と風の質感まで捉えた圧倒的な映像美です。死や滅びという普遍的なテーマを扱いながらも、本作が放つのは明日への希望に満ちた柔らかな光です。刻一刻と迫る終焉の予感の中で、それでも何かを後世に残そうとする人々の切なる願いが、サフォークの風景と共に叙情的に響き渡ります。歴史という大きな流れの一部である自分を見つめ直させてくれる、珠玉の人間賛歌です。

原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

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キャスト

キャリー・マリガン
キャリー・マリガン
Edith Pretty
レイフ・ファインズ
レイフ・ファインズ
Basil Brown
リリー・ジェームズ
リリー・ジェームズ
Peggy Piggott
ジョニー・フリン
ジョニー・フリン
Rory Lomax
Ben Chaplin
Ben Chaplin
Stuart Piggott
ケン・スコット
ケン・スコット
Charles Phillips
Archie Barnes
Archie Barnes
Robert Pretty
Monica Dolan
Monica Dolan
May Brown
Eamon Farren
Eamon Farren
John Brailsford
Paul Ready
Paul Ready
James Reid Moir

スタッフ・制作会社

監督: Simon Stone

脚本: John Preston / Moira Buffini

音楽: Stefan Gregory

制作: Gabrielle Tana / Ellie Wood / Anne Sheehan

撮影監督: Mike Eley

制作会社: Clerkenwell Films / Magnolia Mae Films

TMDB ユーザーのレビュー

Manuel São Bento
Manuel São Bento
★ 7

Before watching this film, I had absolutely no idea who Basil Brown (Ralph Fiennes), Edith Pretty (Carey Mulligan), or even Peggy Piggott (Lily James) were and what they did. As an engineer and a science enthusiast myself, I rarely struggle to find some sort of enjoyment in movies based on true stories about scientific discoveries, technological advancements, or impactful historical events. Therefore, despite a premise that doesn't immediately catch my attention, Simon Stone does a wonderful job in making this film quite interesting. Mike Eley's cinematography produces some of the most gorgeous shots of the year, transforming The Dig into a visually satisfying movie to look at. The main narrative focuses on the excavation itself and the findings of a shockingly old (Anglo-Saxon) ship, which turns out to be more captivating than I ever anticipated. However, the romantic subplot involving Peggy Piggott feels out-of-place and rather dull considering the objective of this film. It really hurts the overall pacing, dragging an otherwise well-balanced flick. Moira Buffini's already excellent screenplay is still elevated by the remarkable cast. Fiennes (Harry Potter) and Mulligan (Promising Young Woman) share a heartwarming chemistry that really suits their characters. Lily James (Rebecca) also demonstrates her impressive emotional range once again. Overall, I recommend it to any viewer who's interested in knowing more about the real-life story or who's simply a fan of this specific genre. Rating: B

Peter McGinn
Peter McGinn
★ 8

The Dig reminded me of another movie about archaeology and which was not only also based on a true story but also involved a woman’s contribution to that scientific field. That other movie was Ammonite, about a woman archaeologist in a time when women were more than rare in that field of endeavor. Unlike that character, however, Edith Pretty in The Dig does not do the work herself. Instead, her interest in archaeology and curiosity about the mounds on her property leads her to hire Basil Brown, a self-trained archaeologist, or “excavator,” as he refers to himself in the film. I enjoyed the movie despite —or perhaps even because of its relaxed pace and subdued action. If you are sleepy but decide to watch a movie instead, you may want to save this foils for a more alert viewing. As with most biopics and other films based on true events, changes have been made to spice up the telling. Apparently some of them occurred first in the novel it is based on. For example, because some sort of “bad guy” is required for most movies, the British Museum seems to be depicted in a slightly more adversarial role than what was the case. Also, because a romance didn’t occur between the main characters, a romance was invented between two of the supporting characters. And of course actress Carrie Mulligan was 20 years younger than Edith Pretty was at that time, but they do use makeup to age her somewhat. Changes like this are to be expected. The result is a movie that is both entertaining and, dare I say it, a little educational all at once.

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